El discurso de la evolución y la degeneración en las narrativas de la Mujer Nueva: Sarah Grand y Mona Caird
La estigmatización de la Big House en el contexto irlandés: aproximación histórica y valoración cultural
‘My buffaloes are not for sale’: a defence of biculturalism in Dolores Prida’s Botánica
The road and the family: the ideology of David Lynch's the straight story
Los marcianos observados desde el continente: "The war of the worlds" y "Auf zwei planeten"
"Midnight’s Children" and "Cien años de soledad": views on magical realism and postmodernist fiction
From “The rock” to “The metro”: the need for the collapsing of boundaries in Neil Jordan’s The Crying Game
Transnationalism: contemporary patters of Migrant Fluidity in Paule Marshall's daughters
Sense and sensibility: the film adaptation of Jane Austen's novel
The price of petrol: the ideology of the contemporary Hollywood blockbuster
Voces y visiones en el proceso de traducción: el caso de Pig Earth
Lack of particularism in Percy Wyndham Lewis' self-condemned: some loathsome social implications
¿Quién vota y quién se queda en casa?: el declive participativo en las elecciones presidenciales estadounidenses
(Pro)creative motherhood in an irish context:: Mary Morrissy's mother of Pearl
On language and mythmakers: understanding change, telling about It, teaching historical linguistics
Teaching EFL by videoconference: some implications for students and teachers
The hothouse by the East River: el sueño sparkiano del purgatorio
Mensajes de texto entre teléfonos móviles: características de género y registro
Cosmovisiones postmodernas: nuevas perspectivas en la novela inglesa
Angeles de la Concha Muñoz, Pilar Hidalgo, Susana Onega Jaén
New York vs. Willow Springs: remapping America in Gloria Naylor’s Mama Day
General Linguistics: where it all went wrong in the twentieth century and what the twenty first century can learn from that
Domestic violence in drama: revising the character of Stella in a streetcar named desire
'The half that has never been told’: autobiografía y autoetnografía en Abeng, de Michelle Cliff
Kate Field in Spain: recovering a victorian american travel narrative
Myths stay at the Holiday Inn:: Sam Shepard, identity, and contemporary US society
Register influence on language change: some notes concerning the development of while-clauses in the history of english
Colonial masculinities: british (mis)representations of the indian man
Finder please post: gendering the archaeological in Alice Munro’s novella «A wilderness station»
The (de)construction of character in film: David Lynch's lost highway
Charlotte Smith y Jane Austen: en busca de la libertad creadora
Los orígenes del elemento visual en las novelas de Thomas Hardy: el caso de "Jude the Obscure" y la adaptación cinematográfica de Michael Winterbottom
Insulting politely: analysis of address terms in a medieval mystery play
L2 speech perception: audio versus audio-visual data
Bringing a talk show interview to an end: the manifestation of generic imprints on the closing
Exploring the role of image metaphors in the discourse of architects: the case of the building review
Do you call yourself a man?: politeness strategies in conflict management
L1 influence and EFL vocabulary: do children rely more on L1 than Adult learners?
Breaking victorian feminine stereotypes: Elizabeth Stuart Phelps’ magazine articles
Discurso literario, discurso musical: opciones interdisciplinares de la filología actual
Marta Falces Sierra (coord.), Neil McLaren, Julio Ángel Olivares Merino, José María Pérez Fernández, Eulalia Piñero Gil
Nadine Gordimer’s "The house gun": between ‘The self’ and ‘The other’
Re-writing canadian historiography:: Joy Kogawa and Wayson Choy
Lexical cohesion and the organization of text: investigating the structure of a news item
Gender troubling mina loy’s pig cupid: postmodern feminist perspectives on “Songs to Joannes”
“Too real to be a dream?”: Elizabeth Bishop’s dynamic visual reality
Topic typology and pragmatic information in FG: assessment and proposal
Psychoanalytical notes upon an autobiographical account of a case of paranoia ("Dementia paranoides): Mrs. Bentley in Sinclair Ross’s as for me and my house
Compliments: a relevance-theoretic approach
Prospective and retrospective existential there-constructions: a pragmatic categorisation
Protean professorship / political performance: re-staging the Irishman (Walter Fitzwilliam Starkie, 1894-1976)
Protean professorship/political performance: re-staging the Irishman (Walter Fitzwilliam Starkie, 1894-1976)
Psychoanalytical notes upon an autobiographical account of a case of paranoia (dementia paranoides): Mrs. Bentley in Sinclair Ross’s as for me and my house
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