Analysis and Geographical Representation of Cilento’s Monastic Architecture
Tomás E. Martínez Chao, Pedro G. Vindrola, Antonello Cerbone, Carlo Giannattasio
págs. 1-10
págs. 11-20
págs. 21-30
Connections Between the Architectural Drawings of Miralles and Mackintosh.: From Ichnographia to Scaenographia
págs. 31-39
Detailed Knowledge of Territory: Exploration and Army
págs. 40-49
págs. 50-57
Drawing as a Tool for Knowledge: Analysis of the Graphics for a Design Proposal for the E42 in Rome that Remained on Paper
págs. 58-67
From Earthquake to Earthquake: Compositional Languages Analysis of L’AquilaCivil Architecture
págs. 68-76
From Historical Representation to Spatial Data Infrastructure: Contextualisation of the Underground Heritage Spaces in the City of Carmona (Seville)
Andrés Galera Rodríguez, Francisco Sebastián Pinto Puerto, Mario Algarín Comino
págs. 77-85
págs. 86-96
Generative Modeling as an Alternative Analysis Tool for Cultural Heritage: The Case Study of Helicoidal Staircases
págs. 97-106
págs. 107-116
GIS-Based Design for Urban Heritage Routes
Cristina Vicente Gilabert, Marina López Sánchez, Mercedes Linares Gómez del Pulgar
págs. 117-127
Graphic Mapping of English Houses in Bogotá: (1930–1950)
Víctor Hugo Velázquez, Andrés Felipe Erazo Barco, Margarita Roa Rojas
págs. 128-137
Graphic Representation of Architecture as a Support for the Parameterization of Habitable Spaces Within Heritage Contexts: The Convent of Santa Clara de la Columna in Belalcázar (Córdoba)
págs. 138-147
págs. 148-157
Hans Scharoun and the Organic Urbanism: The Proposal for Hauptstadt Berlin Through Hugo Häring
págs. 158-167
Hybrid 2D/3D Models for Photo-Based Animations of Virtual Urban Scenes: The Plaza de la Virgen of Valencia, in the 1870s
págs. 168-177
Influence of the Camera Lens in the Photogrammetric Survey of Historic Plasterworks: Comparative Study in the Royal Alcazar of Seville.
Elena Cabrera Revuelta, Joaquín Aguilar-Camacho, Gabriel Granado Castro
págs. 178-187
Integrated Architectural Survey Techniques for the Cultural Heritage Preservation and Enhancement in the Covid-Era: The Case Study of Venosa’s Most Holy Trinity Complex, Italy
Cesare Verdoscia, Michele Buldo, Antonella Musicco, Riccardo Tavolare
págs. 188-198
Knowledge Through the Survey: Comparative Analysis and Reconstruction of Time-Line of the Granja de San Ildefonso
Davide Carleo, Martina Gargiulo, Giovanni Ciampi, Luigi Corniello, Pilar Chías Navarro, Michelangelo Scorpio
págs. 199-207
págs. 208-217
págs. 218-228
págs. 228-236
Methodological and Conceptual Phases for HBIM Modelling: The Case of the Monastery of San Millán de la Cogolla de Yuso (Spain)
Jaione Korro Bañuelos, Francisco Sebastián Pinto Puerto, Manuel Castellano Román, José Manuel Valle Melón, Álvaro Rodríguez Miranda
págs. 237-246
Modelling from Ruins: virtual Recreation of an Architectural Complex of the Spanish Civil War
págs. 247-256
Narrative Cartographies. Developing a Socio-spatial Method of Graphic Analysis to Investigate Emergent Occupation Practices in Depopulated Rural Settlements: A Study-Case from the Spanish Central Pyrenees
Ignacio Galán Fernández, Ángel B. Comeras Serrano, Yves Schoonjans, Gisèle Gantois
págs. 257-266
págs. 267-276
Planimetric Review and Analysis of Arches and Vaults of a Mudejar Architecture: Santa Tecla in Cervera de la Cañad1
Luis Agustín Hernández, Angélica Fernández Morales, Marta Quintilla Castán
págs. 277-285
Proposal for a Digital Information Model to Manage the Archaeological Site of Itálica
José María Guerrero Vega, Roque Angulo Fornos, Manuel Castellano Román
págs. 286-293
Representation of Oblique Circles in CAD Implemented in a Python Script for Rhinoceros
Pau Natividad Vivó, Ricardo García Baño, Macarena Salcedo Galera, José Calvo López
págs. 294-303
Section Drawing as a Designing Tool
Belén Butragueño Díaz-Guerra, Javier Francisco Raposo Grau, María Asunción Salgado de la Rosa
págs. 304-313
Study and Application of NURBS and Free-Form Surfaces for Design and Architecture
Ismael García Ríos, Federico Luis del Blanco García, Ana González Uriel
págs. 314-323
Telling the Invisible: Graphic Strategies for the Narration of the Roman necropolis of Porta Palio in Verona
págs. 324-331
The Almina of Ceuta: Graphic Analysis of Its Historical Cartography
José Francisco Montes de la Vega, María Teresa Pérez Cano, Ramón Queiro Quijada
págs. 332-342
The Analysis of Inaccessible Religious Architecture: Graphic Documentation for the Knowledge and Use of Meteora Monasteries in Greece
págs. 343-352
The Bust of the Emperor Hadrian: Documentation and Graphic Analysis of the Bust in the Archaeological Museum of Yecla
Josefa García León, Filippo Fantini, Jesús Ángel González García
págs. 353-362
The Drawing of an Idea: Graphic Reconstruction of an Unbuilt Dwelling in Bayview by J. Utzon
Marta Alonso Rodríguez, Sara Peña Fernández, Eduardo Carazo Lefort
págs. 363-372
The Hermetic Staircases by Buontalenti for the Florentine Sant’Egidio and Santa Trinita Churches: Digital Analyses
págs. 384-394
The Lighthouses: Real and Virtual Lines: Geometries and Coastal Maps
págs. 395-404
The Main Staircase of Palazzo Spinelli di Laurino in Naples: Function, Shape, Geometry
págs. 405-414
The Mosque-Cathedral of Córdoba: Three Interior Perspectives by Laborde (1812)
Antonio Gámiz Gordo, Juan Cantizani Oliva, Juan Francisco Reinoso Gordo
págs. 415-424
págs. 425-432
Vertical Architectures in the Contemporary. Contemporary Bell Towers in Naples: Territorial Survey at Urban Scale and Case Study
págs. 433-442
Visualization of the Local Distortions on the Oldest Known Urban Map of Seville: 1771
Joaquín Aguilar-Camacho, Gabriel Granado Castro, Elena Cabrera Revuelta
págs. 443-452
VPL for HBIM: Algorithmic Generative Processes for the Thematic Mapping of Information Models
Emanuela Lanzara, Simona Scandurra, Margherita Pulcrano, Sabrina Acquaviva, Mara Gallo, Daniela Palomba, Antonella di Luggo
págs. 453-463
págs. 3-12
Convey a Graphical Message: The Political Vision of Architectural Drawing
María Asunción Salgado de la Rosa, Javier Francisco Raposo Grau, Belén Butragueño Díaz-Guerra
págs. 13-22
Digital Models for Historical Architecture: Cestus Bridge and Fabrician Bridge at Tiber’s Island
págs. 23-32
Digital Tools as a Means of Architectural Dissemination: Reconstructing the Architectural History of Colegio San José of Valencia
Borja Herrero Pérez, Eduardo María Baviera López, Jorge Llopis Verdú
págs. 33-42
Dreams of Ruins: Drawing as a Speculative Resource During the Renaissance for Understanding the Architectural Remains of Antiquity
págs. 43-53
págs. 54-62
Framing, Filling, Linking: The Drawing of Elements for City Description
págs. 63-72
págs. 73-82
págs. 83-92
From the “Sacred Theatres” of Andrea Pozzo to the International Truncated Calotte: History and Representation of the Immacolatella Church’s Tribune in Trapani (1732)
págs. 93-102
págs. 103-110
Geometry and Rectangular Ratios: Serlio’s Villas in the Vienna Manuscript and Book VII
págs. 111-120
págs. 121-130
Gregorian Echoes: Neumatic Notation as a Possible Graphic Inspiration for the Architecture of Xenakis
Pedro García Martínez, Pablo Roca Montoya, Laura Fernández Muñoz
págs. 131-144
History, Iconography and Digital Drawing for Architectural Heritage: The Case Study of the Church of S. Nicolò Alla Kalsa in Palermo (Sicily)
págs. 145-154
págs. 155-164
“Veue de la ville de Boze”: A Seventeenth-Century View to Analyse the Transformations of the Landscape of the City of Bosa (Sardinia, Italy)
págs. 165-174
Light and Architecture: Mannerist Devices in the Monastery of San Lorenzo de El Escorial
Pilar Chías Navarro, Tomás Abad Balboa, Lucas Fernández Trapa Chías
págs. 175-185
Line Atop Line: Images of Architecture in Illustrated Periodicals from the Early 1800s in Italy
págs. 186-195
Madrid and the Board of Houses of the Navy: Four Projects for Spain in the 1940s
págs. 196-205
Military Engineers and the Use of Cartography in the Urban Representation of the Spanish Florida: The City of Saint Augustine (1565–1788)
págs. 206-215
Musing on the Restoration of the Arch of Titus, Given Its 200th Anniversary: Comments on Some Outstanding Drawings
págs. 216-225
págs. 226-235
Recovery of Modern Colombian Architecture by Means of Architectural Archive Discovery: The Case of Architect Miguel Farah Zakzuk
Alma Benítez, Gabriele Rossi, Massimo Leserri, Merwan Chaverra Suárez
págs. 236-245
Recycling Models and Drawings: Two Projects by Frank Lloyd Wright, 1944
págs. 246-254
Speer: Drawing the Future of the Past
Antonio Amado, Federico Arévalo Rodríguez, Carmen Escoda Pastor, Genco Berkin
págs. 255-264
The Analysis of Architectural Heritage Through Graphic Documents: The Archaeological Site of Italica (Seville, Spain) - From the 16th to the 21st Century
Elena González Gracia, Patricia Ferreira Lopes, Francisco Sebastián Pinto Puerto
págs. 265-273
págs. 274-283
págs. 294-303
The Graphic Analysis of the Primitive Convent of the Commendatory Mothers of St. John in Zamora
Daniel López Bragado, Víctor Antonio Lafuente Sánchez, Alejandra Duarte Montes
págs. 304-313
págs. 314-324
The Slab of Perugia: Graphic Virtualization for the Enhancement of Cultural Heritage
págs. 325-334
págs. 337-346
págs. 347-357
Digital Adaptation of the »Hypercubic Glass«: Translation of the Design Principles by Student Seminars
Katia Wirfler, Sebastián Andrés López, Martín Peña Fernández-Serrano, Henrik Reißaus, Thorsten Weimar
págs. 358-367
From Geospatial Data to HBIM of Romanic Churches in Sardinia: Modelling, Check and Validation
págs. 368-378
Graphic Innovation in Jesuit Heritage of Córdoba de la Nueva Andalucía: From Tradition to CAD, HBIM & AR
Gustavo Adolfo Saborido Forster, Eduardo Mosquera Adell, Mercedes Ponce Ortiz de Insagurbe
págs. 379-389
How the Approach of Digital Tools in Architecture Has Developed: The Case of Creative Programming
Patricia Domínguez Gómez, Flavio Celis D'Amico, Ernesto Echeverría Valiente
págs. 390-398
Management and Dissemination for Dismissed Religious Architecture: An Approach Fusing HBIM and Gamification
págs. 399-407
Spatial Perception Assessment in Immersive Virtual Environments: A Methodological Approach
Albert Sánchez Riera, Isidro Navarro Delgado, Ernesto Redondo Domínguez
págs. 408-415
Vegetation Information Modeling (VIM): The Tree as the Main Element in the Construction Process of Landscape Architecture
págs. 416-425
A New Evaluation for a New Teaching Normality: Practical Example Applied to the Topographic Map System
Víctor Antonio Lafuente Sánchez, Daniel López Bragado, Sergio Alonso Alonso, Antonio Álvaro Tordesillas
págs. 3-12
Álvaro Siza Vieira Malagueira’s Notebooks: A Reading on the Relevance of Drawing for Architectural Research
págs. 13-21
Architectural Graphic Expression of Heritage in the Academic Training of Architects: The Exhibition of the Drawings
María del Carmen Vílchez Lara, Jorge Gabriel Molinero Sánchez
págs. 22-31
págs. 32-41
Covid-19 and Online Teaching: Impact on Academic Results in the Subjects of Architectural Graphic Expression at the Polytechnic University of Cartagena
Pedro Miguel Jiménez Vicario, David Navarro Moreno, María Mestre Martí, Pedro García Martínez, Manuel Alejandro Ródenas López, María José Muñoz Mora
págs. 42-50
Draw (with) the World: Embracing Minor Contents Between the Disciplinary and the Contemporary
págs. 51-60
Drawing Places: New Strategies for Teaching Architects to Sketch
págs. 61-70
Ecology and Cos (i) Mopolitics in the Drawing Room: The Lines that Expand the Limits of Architecture
págs. 71-78
págs. 79-86
págs. 87-97
págs. 98-106
Implementing BIM in Architectural Graphic Expression Subjects in the First-Degree Courses
José Javier Pérez Martínez, María Senderos Laka, Iñigo León Cascante
págs. 107-114
Inside the Dark Camera: Covid-19 Home Confinement as a Phenomenological Learning Experience Based on Observation
Ángel Allepuz Pedreño, Jorge Domingo Gresa, Pablo Jeremías Juan Gutiérrez
págs. 115-125
Lapis Resiliency: through Analogic and Digital Drawing
págs. 126-136
págs. 137-146
Teaching the Graphic in Times of Pandemic: Cape Cod and the Bauhaus
Jorge Gabriel Molinero Sánchez, Juan Francisco García Nofuentes
págs. 147-156
The Creative Capacity of Geometric Objects -point and line- in Architecture Teaching
Fernando Manuel Alonso Pedrero, María del Pilar Salazar Lozano
págs. 157-166
The Model as a Teaching Experience: The Case of Frank Lloyd Wright’s Unitarian Church (1905–1908)
Marta Úbeda Blanco, Daniel Villalobos Alonso, Sara Pérez Barreiro
págs. 167-177
págs. 178-187
Analog Drawing – Digital Drawing: The Architectural Virtual Model as More Than a Technological Implementation
Javier Francisco Raposo Grau, María Asunción Salgado de la Rosa, Belén Butragueño Díaz-Guerra, Blanca Raposo Sánchez
págs. 191-200
págs. 201-211
Ariadne’s Thread: Lines Towards Architectural Project
Maria Pompeiana Iarossi, Daniela Oreni, Daniele Giovanni Papi
págs. 212-222
págs. 223-232
Critique of the Architectural Competition Stimulated by Graphic Expression: Semiotic Convergences in the Rhetoric of Judgment Process
págs. 233-242
Design by Hand in a Digital Environment: Drawing Storytelling and ICT Development
págs. 243-252
págs. 253-260
págs. 260-270
págs. 271-280
Flatwriter Today: Towards Friedman’s Utopia Through Generative Design
Ana Sánchez Pérez, Manuel Alejandro Ródenas López, Martín Peña Fernández-Serrano
págs. 281-291
págs. 292-301
Fragment, Overlap and Time: Carlo Scarpa’s Graphic Memory
Lucía Balboa Domínguez, Alberto Grijalba Bengoetxea, Noelia Galván Desvaux
págs. 302-311
págs. 312-321
págs. 322-332
págs. 333-341
Postermania: Taller de Arquitectura and the Poster as Manifiesto
Raquel Álvarez Arce, Álvaro Moral García, Noelia Galván Desvaux
págs. 342-351
Telling for Images: The “Court of Lights” of Piazza Scaravilli in Bologna
págs. 352-361
págs. 362-372
págs. 373-383
The Random Machine: Graphic Representation Based on Mechanical Repetition
págs. 384-393
Traditional and Innovative Tools of Planning Thought: The Project of Town Hall in Sesto San Giovanni by Piero Bottoni
págs. 394-403
Where Do We Step? The Horizon is on the Ladder: Landscapes that Lina Bo Bardi Created in Her Drawings
págs. 404-414
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