The experimental novel in the New Universe of Force: time, trauma, and terror in Foer's and Pynchon's Latest Fiction
Imagining difference: girl writes boy, white writes black
enduring critical poses: image, movement, becoming, emergent relatives in the way to rainy mountain
El "Marido ideal" de Eduardo Haro y Joaquín Aznar: sus hipotextos wildianos
From ancient traditions to modernism: a study of two early love poems by E.E. Cummings
"I don't find much difference between the great & ourselves": woolf, beerbohm y la desmitificación de los grandes
Claves prebélicas de la España republicana en "The revenge for love": de Wyndham Lewis
Distingos enfoques en torno a la poesía y las artes visuales
Viorica Patea Birk, Ernesto Suárez Toste, Fabio Luis Vericat Pérez-Mínguez
Confronting nothing(ness): excess, oscillation and paradigms for reading
La hipertextualidad visual: el diálogo de la literatura con la pintura y la fotografía
Culture, politics and citizenship: british and irish immigrant experiences in Spain
Breastfeeding freaks: aesthetics of the neglected in the work of Diane Arbus and Joel-Peter Witkin
Ageing in "The Simpsons": the postmoderm family and history rewriting
Eighteenth Century british women novelists in Spain: publishing and advertising strategies
Intermedial narrative spaces: bridging the material and the cultural
Perspectives on cultural studies and the media: reflections from the spanish context
Eduardo de Gregorio Godeo, María José Coperías Aguilar, Sara Martín Alegre
Learning culture in the english classroom
María del Rosario Piqueras Fraile, Antonia Sagredo Santos, María Luz Arroyo Vázquez
Biomythography and the myth of the blues woman in Audre Lorde's Zami: a new spelling of my name
Language at its most rich: I always wanted to give birth
Besides being a mormon, I am a (mormon) woman: gender roles and the work by Phyllis Barber
The female body inscribed: gender and genre issues
Margarita Estévez Saá, María Jesús Lorenzo Modia, Ana I. Zamorano, José Manuel Estévez-Saá
Victims of gener violence as presented by contemporary american women playwrights
Miriam E. López Rodríguez, Marta Fernández Morales, Inmaculada Pineda Hernández
Interrogating the gendered body: feminist, queer, digital perspectives
Carolina Sánchez-Palencia Carazo, Juan Carlos Hidalgo Ciudad, Alberto Egea Fernández-Montesinos, María Teresa Escudero Alías
Present absent and mythical mothers: mother-child relationships in english literature from the 16th to the 19th centuries
Cinta Zunino Garrido, Paula de Pando Mena, Miriam Borham Puyal, Laura Monrós Gaspar
When Shakespeare becomes commodity: screening love, religion and trademark consumption through the postmodern gaze
Because they make the world remember: a reading of narrative strategies in "The pianist"
Black musicals produced by white people: racial and gender stereotypes in transition in the film Carmen Jones
Narrating lives through film: the biopic genre
Margarita Carretero González, Laura Filardo Llamas, María Elena Rodríguez Martín, Isabel María Andrés Cuevas
On (non-) literal meaning and the prepositional passive: a record of lexical variation
From trauma to masterpiece: repetition and narrative in the death and life of Miguel de Cervantes
Alterity and bodiliness: representing coetzee's friday
La base de datos RETERBES (Representaciones Teatrales de Samuel Beckett en España): un modelo para los estudios de recepción teatral
Sidney Keyes' (war) poetry: a reassessment through close reading
The city as proto-wasteland: urban imagery in T.S. Eliot's Prufrock Poems
Horros tamed by metaphors: holocaust trauma
Introjected and projected objects in ideological discourse: the case of Marlow 4in Conrad's "Heart of darkness"
Datos inéditos sobre la narrativa inglesa en la España de Franco
Luis Alberto Lázaro Lafuente, Marisol Morales Ladrón, Juan Francisco Elices Agudo, Mónica Olivares Leyva
Ochún, Atabey, y el cobre: la incerteza caribeña como múltiple modelo teórico para la hibridación
negotiating ethnicity: Dione Brand's "What we all long for"
Walter Mosley's easy rawlins: a blues detective as a postcolonial hero
The question of identitarian opacity in postcolonial analysis
Susan Penelope Ballyn Jenney, Martín Renes, Catalina Ribas, Carles Serra
Walking wounded: the representation of trauma in postcolonial fiction
Gordon O. Henry, Silvia Martínez Falquina, Juan Ignacio Oliva Cruz
"...and from own actions you shall be condemned, or acquitted": actos de habla performativos y descriptivos. Una propuesta de análisis
"Snif", "Crac", "Krunch", "Nñññiiiiii": perceptions about the use of onomatopoeias by spanish cartoonists and comic writers
Neighbour stories: Louisiana stories for a changing vision of the south
"Count your blessings": order vs. the grotesque in Alice Munro and Diane Schoemperlen
Re-inventing tradition(s): the grotesque in short stories by scottish women writers
"Hot meat": cannibalism and gender in Katherine Mansfield and Virginia Wolf
La poética de la brevedad y la imagen en el cuento
José R. Ibáñez, Emilio Cañadas Rodríguez, Santiago Rodríguez Guerrero-Strachan
Presencia de la lengua inglesa en el habla de los adolescentes grancanarios: ¿una moda o una invasión?
How to define a phrasal verb?: testing the validity of structural criteria for the identification of phrasal verbs
Transformations: translators, ilustrator and censors in the early franco period
Jacqueline Anne Hurtley Grundy, Mercè Cuenca, Marta Ortega Sáez, John Stone
"Monkeys": the short story cycle acting out and working through a family trauma
Eco-alterity: "scaping" difference in american literature
Juan Ignacio Oliva Cruz, Carmen Flys Junquera, Irene Sanz Alonso, Begoña Simal, Diana Villanueva Romero
Imagen y palabra: interacciones entre la pintura y la poesía norteamericana
Luisa María González Rodríguez, Dídac Llorens Cubedo, Santiago Rodríguez Guerrero-Strachan
Healing trauma?: haunting in late twentieth-century american culture
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