Información General

• Autores: María del Pilar Chouza Calo (coord.), Esther Fernández Rodríguez (coord.), Jonathan Thacker (coord.)
• Editores: Liverpool University Press
• Año de publicación: 2023
• Colecciones: Contemporary Hispanic and Lusophone Cultures
• País: Reino Unido
• Idioma: inglés
• ISBN: 1-80207-338-8, 978-1-80207-638-7
• Texto completo no disponible (Saber más ...)

Resumen

• In this volume, we are particularly interested in approaching theatre and performance as a dynamic and evolving practice of continuous change, regeneration and cultural mobility. Neither the dramatic texts nor their stage versions should be viewed as finished products but as creative processes in the making. Their richness lies in their unfinished and never-ending potential energy and their openness to constant revision, rehearsal, revival, and collective enterprise. This edited collection aims to create a dialogue on the artistic processes implicated in the various ways of working with the play text, the staging practices, the way audiences and critical reception can impact a production, and the many lives of Iberian theatre beyond the page or the stage. That is, its cultural and social legacies.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Playing Upon Gender

    • Snares of Safety: Guillén de Castro’s La fuerza de la costumbre (1610–1615), The Force of Habit (2019) in Production

      Kathleen Jeffs

      • Resumen

      págs. 13-30

      

    • Unruly mujeres: Adapting women’s rebellious voices on the modern stage

      Sarah Grunnah

      • Resumen

      págs. 31-46

      

    • Electra (1910): Daring memories of galdós’s most polemic success

      Esther Fernández Rodríguez, Cristina Martínez-Carazo

      • Resumen

      págs. 47-60

      

    • The “pleasure” of wife-murder drama: The aesthetics of gender-based violence in Palabras encadenadas

      Sonia Pérez Villanueva

      • Resumen

      págs. 61-78

      

  • Daring Acts

    • Theatricality in a “sacred drama, not to be represented”: The Spanish 1700s’ oratorio

      Rosa Sanz Hermida

      • Resumen

      págs. 79-94

      

    • On action and discovery and what to do with them in translation and performance

      Catherine Boyle

      • Resumen

      págs. 95-110

      

    • Habit, suggestion, and imitation in fin-de-siècle Spanish theater

      Juan Menchero

      • Resumen

      págs. 111-142

      

    • Fuegoártico: A beautiful defeat: Jeremy James and the creation of an ensemble methodology in Madrid, 2014

      Simon Breden

      • Resumen

      págs. 143-158

      

    • Adapting Bolaño’s 2666 for the Stage: Rigola (2007), Falls (2016), and Gosselin (2016)

      Anton Pujol

      • Resumen

      págs. 159-174

      

  • Transcultural Negotiations

    • Translating marginalities: Staging linguistic diversity in the comedia

      Laura Muñoz Armijo

      • Resumen

      págs. 175-188

      

    • The Valencian Widow on the “Small Screen”: Negotiating the Russian lopean canon in the late twentieth century

      Veronika Ryjik

      • Resumen

      págs. 189-202

      

    • From Golden Age to Civil War: Stages of Spain in Yugoslavia

      Alma Prelec

      • Resumen

      págs. 203-220

      

    • From the Warsaw Ghetto to Messianic Time: Polis and Memory in Juan Mayorga’s El cartógrafo. Varsovia, 1: 400.000

      Juan Caamaño

      • Resumen

      págs. 221-234

      

    • Rewriting race: The Angels in America Scandal and New Representations of Blackness in Contemporary Catalan Drama

      Isaías Fanlo

      • Resumen

      págs. 235-250

      

    • Testing the Audience’s Judgement: Please, Continue (Hamlet) by Roger Bernat and Yan Duyvendak

      David Rodríguez Solás

      • Resumen

      págs. 251-266