págs. 1-11
She had to start thinking like a man: Women Writing Bodies in Contemporary Northern Irish Fiction
págs. 12-24
A Fusillade of Question Marks: (re)presenting the present or the poet as a chronicler in The Irish for No by Ciaran Carson
págs. 25-32
The Old Illusion of Belonging: Distinctive Style, Bad Faith and John Banville`s The Sea
págs. 33-44
Migration, Masculinity and the Fugitive State of Mind in the Irish Emigrant Footballer Autobiography: the Case of Paul McGrath
págs. 45-57
A Woman Leaving Twice to Arrive: The Journey as Quest for a Gendered Diasporic Identity in Anne Devlin`s After Easter
págs. 58-67
Monological Drama to Reshape the Northern Irish Identity: A Night in November by Marie Jones
págs. 68-80
Square-Toed Boots and Felt Hats: Irish Revolutionaries and the Invasion of Canada (1848-1871)
págs. 81-91
A Feminism of Their Own?: Irish Women`s History and Contemporary Irish Women`s Writing
págs. 92-101
Suspended between the Two Worlds: Gestation Metaphors and Representations of Childbirth in Contemporary Irish Women`s Poetry
págs. 102-112
págs. 113-118
págs. 119-128
págs. 129-142
© 2001-2024 Fundación Dialnet · Todos los derechos reservados