Estudios irlandeses = Journal of Irish Studies
Año 2007, Número 2
William Trevor's Felicia's Journey: Inherited Dissent or Fresh Departure from Tradition?
págs. 1-13
págs. 14-31
Without contraries there is no progression: the Paradoxical Heterogeneity of Identity in Sinead O'Connor's Poetic Expression
págs. 32-43
págs. 44-56
págs. 57-67
Her place among the nations of the earth': Irish votes at the UN General Assembly, 1955-2005
págs. 68-77
págs. 78-84
Shams and Cover-ups: The Spectacle of History in Paul Muldoon's "Meeting the British" and "My Father and I and Billy Two Rivers": the Spectacle of History in Paul Muldoon's "Meeting the British" and "My Father and I and Billy Two Rivers"
págs. 85-92
The Quiet Man and Angela's Ashes: Hollywood Representations of Irish Emigration as Male Quest Narrative
págs. 93-106
págs. 107-120
Between Irish National Cinema and Hollywood: Neil Jordan's Michael Collins
págs. 121-127
Women in the Twilight and Identity in the Making: the Concept of Transition in Eavan Boland's Poetry
págs. 128-134
No More Than Human by Maura Laverty: Impressions of a Reluctant Governess in Spain
págs. 135-150
Making the Case for Irish through English: Eco-critical Politics of Language by Learners
págs. 151-160
"And Somewhere the Dove Rose": Seamus Heaney y su Fase Aérea en la Crítica Literaria
págs. 161-172
págs. 173-182
Latter-day Mother Irelands: The Role of Women in Michael Collins and The Wind that Shakes the Barley
págs. 183-204
págs. 205-213
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