Natura Loquens, Natura Agens: In Dialogue and Interaction with the Environment
págs. 9-9
Materia Agens, Materia Loquens: Ecocriticism and the Narrative Agency of Matter
págs. 11-25
Engaging with Nature in Times of Rapid Environmental Change: Vulnerability, Sentience and Autonomy
págs. 27-40
Refractive Depths of Passion in Wuthering Heights: Brontë, Buñuel and Beyond Humanism
págs. 41-60
The Wolf: Reenacting the Myth and Archetype In American Literature and Society
págs. 61-71
“What I’ve Done”: Linkin Park’s Environmental Awareness
págs. 73-89
Desire at Risk: Queer Reconfigurations of Sexuality and Race in Contemporary Flood Narratives
págs. 91-104
Silent Nature as a “Claw in the Gut”: Shock Therapy Epiphanies in Annie Proulx’s Wyoming Stories
págs. 105-125
“The Gift of a Different Gaze”: A Social-Environmental Imagination of Collective Meaning in Helen Escobedo’s Installations, 1997-2010
págs. 127-147
Sites of Exclusion and Sites of Inclusion: Spatial and Environmental Liminalities in Jimmy Santiago Baca’s Memoir Working in the Dark: Reflections of a Barrio Poet (1992)
págs. 149-162
Robbed Water, Raped Earth: Wagner’s Ring of the Nibelung as Nature Writing
págs. 163-176
The Modern Pygmalion: Crossing Boundaries in Peter Goldsworthy’s Wish
págs. 177-189
The Chanting Frog: Speciesism and the Possibility of Communication in Issa’s Haikus
págs. 191-207
“I Only Know One Me": Terry Tempest Williams’ Eco-Writing from a Mormon Perspective
págs. 209-219
“My cries heave, herds-long”: Metaphor, Posthumanism and Gerard Manley Hopkins’ ‘No Worst, There Is None’
págs. 221-238
Julio Cañero’s Literatura chicana. La experiencia colonial interna en las obras de Rudolfo Anaya
Es reseña de:
Literatura chicana: la experiencia colonial interna en las obras de Rudolfo Anaya
Los Libros de la Catarata, 2017. ISBN 978-84-9097-308-0
págs. 239-242
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