págs. 23-38
Adverbs and Adjectives: a Unified Analysis
págs. 39-50
págs. 51-64
págs. 65-78
Productivity in Word-Formation: Semantic vs Pragmatic Motivation
págs. 79-94
págs. 95-104
La adquisición de "onsets" complejos en inglés por hablantes de español: sonoridad y optimalidad
págs. 105-122
Applied Linguistics in the Science-Fictional World: Jack Vance's "The Languages of Pao"
págs. 123-130
Processing Bivalent Utterances: Psycholinguistic and Pragmatic Aspects
págs. 131-142
Politeness Strategies in "The Barbers Playe" and "The Second Shepherds Pageant": a Comparison of Two Middle English Politeness Systems
págs. 143-152
"More than One at a Time, Please!": an Insight into Interruptions in Colloquial Conversations
págs. 153-166
Free Adjuncts and Absolutes in Early Modern English: some Text Type Considerations
págs. 167-176
A Cognitive-Linguistic Reassessment of Pragmatic Knowledge: the Case of Epistemic Verb Constructions
págs. 177-188
Where Does EFL Reading Begin?: Usefulness of Pre-Reading
págs. 189-206
págs. 207-218
The Religious Vampire: Rationalism, Protestantism and Catholicism in Bram Stoker's "Dracula"
págs. 219-226
págs. 227-236
págs. 237-246
págs. 247-256
The Importance of Being Nameless: Exploring Alienation and Mysticism in Margaret Atwood's "Surfacing"
págs. 257-266
Toni Morrison's Guide to Self-Hatred: "The Bluest Eye"
págs. 267-274
"The Bravest Boy in my Class": Shyam Selvadurai's Funny Boy and the Challenge to Institutionalized Masculinity
págs. 275-284
Visions of the Swinging Sixties in Fay Weldon's Early Novels: not so Much of a Good Thing?
págs. 285-294
Regendering the School Story: Matriarchal Versus Patriarchal Values in Louisa May Alcott's "Little Men"
págs. 295-300
págs. 301-310
The Self and the Other: the Motif of Doubles and Mirrors in Angela Carter's Last Novels
págs. 311-318
págs. 319-328
Contar cuentos: algo más que palabras
págs. 329-336
págs. 337-348
"Corsons Inlet": Ammons, the American Geographer
págs. 349-356
págs. 357-364
Denise Levertov and the Duende: Spanish Traces in her Production
págs. 365-374
Phyllis Webb: Towards the Naked Word
Leonor María Martínez Serrano, Cristina María Gámez Fernández
págs. 375-384
John Ashbery's "Three Poems": "Toward no Special Goal"
págs. 385-394
págs. 395-404
págs. 405-412
págs. 413-420
"A Woman's Right to Silence": Ancestry, Culture and Identity in the Poetry of Contemporary Welsh and Irish Women Poets
págs. 421-432
Theatrical Responses to Stigmatization: the Representation of Black Youth in Edgar White's "Ritual By Water"
págs. 433-440
The Rhetoric of Rape in Ovid and Shakespeare: "Titus Andronicus"
págs. 441-450
Del teatro al cine: "Richard III", dirigido por Richard Loncraine
págs. 451-460
págs. 461-466
Changing Roles: Women as Protagonists of the North American Theatre in the Nineteenth Century
págs. 467-474
The Debate over Realism in Feminist Drama: "When Ladies Meet" by Rachel Crothers and "Dance With Me" by Jean Reynolds
págs. 475-481
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