In recent years there has been a resurgence of interest in Spanish music of the Middle Ages and Early Modern period on the part not only of scholars but also of performers and listeners, and not only from inside Spain but also from without. However, the research activity stimulated by this interest has mostly been published in Spanish and within Spain, and has yet to establish a clear narrative in a broader European context. Histories of Western European music still tend to present only brief surveys of musical developments in Spain before 1600, and the extent to which the musics and musicians of the Spanish kingdoms formed an integral part of a wider cultural map has rarely been considered in depth.
This volume brings together research by scholars, both well established and of younger generations, both Spanish and from all over the world, that offers new perspectives on many aspects of early musical culture in the Peninsula whether regarding the Ars Nova or the Counter-Reformation, music historiography or analysis, early improvisation techniques or imitatio in Renaissance polyphony, and questions of performance practice or ambassadorial musical networks. These essays will thus hopefully make an important contribution to establishing and sustaining a valuable discourse with that broader European context.
págs. 11-38
Vocal basis in Tientos by Luis Milán and Alonso Mudarra: myth or reality?
págs. 39-55
Ploblems if authenticity in the works of Tomás Luis de Victoria: some methodological considerations
págs. 56-70
A new source of Notre DamenPolyphony from Spain: The Manuscript Toledo, Biblioteca Capitula, 98-28 and its Repertory
págs. 71-77
"Corpus prccessionalum" in Late Medieval Aragon: manuscripts, attributes and special features
págs. 78-87
Multum in parvo: a 1555 morales processional partbook at Toledo Cathedral in context
págs. 88-107
Music books for an iglesia principal y calificada: the 1657 Inventiry of Jaén Cathedral in Context
págs. 108-162
págs. 163-175
Power, erudition and musical patronage in the Sixteenth Century: the Borja Bynasty and the Dukedom of Gandia
págs. 176-187
Light of spain, light of the world: invoking St James in Rudolfine Prague
págs. 188-205
Juan Bautista comes and conflicting aims of church an State in Early Seventeenth Century Valencia
Greta Olson
págs. 206-226
"Before retiring at the close of day...": the Hymnary for Compline in the Escorial's Choirbook Collection
págs. 227-242
págs. 243-255
págs. 256-276
págs. 277-290
The case of the disappearing rests: a new look at the spanish In seculum Hocket in Madrid, Biblioteca Nacional de España, MS 20486
págs. 291-307
Duo seraphim clamabant: Homage, "Parody" and Marian Symbolism in a Motet and Antiphon from Renaissance Sevilla
págs. 308-328
págs. 329-339
págs. 340-355
Con ayuda de nuestro señor: teaching improvised counterpoint in Sixteenth Century Spain
págs. 356-379
págs. 380-404
Non se tenga por maestra cumplida: The Skilful Medieval female performer and her challenge to the social and intellectual spaces dominated by males
págs. 405-417
The spanish prohibition on women listening to music: some reflections on Juan Luis Vives and the Jewish and muslim legacy
págs. 418-432
Revising Plyphonic Lamentations: composition, transmission and performance practice context
págs. 433-446
Alternatives to the "English a cappella heresy": performance practice of Sacred Polyphony in English Domestic Circles based on Elizabethan and Early Jacobean sources
págs. 447-462
Reflections on our mimetic heritage: from Plato to Louis Vuitton
Leo Treitler
págs. 463-488
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