Información General

• Autores: Manuel Almagro Jiménez (ed. lit.), Eva Parra-Membrives (ed. lit.)
• Editores: Narr Franke Attempto
• Año de publicación: 2020
• País: Alemania
• Idioma: inglés
• ISBN: 978-3-8233-8367-3
• Títulos paralelos:
  • Vom Buch zum Film: Veränderung und Verfälschung weiblicher Figuren in den audiovisuellen Medien
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Almagro-Jiménez, Manuel & Parra-Membrives, Eva (Eds./ Hrsg.) (2020). From Page to Screen. Modification and Misrepresentation of Female Characters in Audiovisual Media/ Vom Buch zum Film. Veränderung und Verfälschung weiblicher Figuren in den audiovisuellenMedien. Popular Fiction Studies, vol. 6, Tübingen: Narr Francke Attempto Verlag. 410 páginas. ISBN: 978-3-8233-8367-3.

    Guiomar Topf Monge

    Futhark: revista de investigación y cultura, ISSN 1886-9300, Nº. 16, 2021, págs. 233-238

  • From Page to Screen. Modification and Misrepresentation of FemaleCharacters in Audiovisual MediaTübingen (Alemania), Narr Francke Attempto Verlag, 2020. 410 pp.ISBN: 978-3-8233-8367-3

    Ana Rubio Jiménez

    mAGAzin, ISSN-e 1136-677X, Nº. 30, 2022

Resumen

• For a long time now, women have struggled for the vindication of their rights and for their visibility. This struggle may seem a story of success, maybe not complete or equal for all women, but at least one which slowly but surely carries with it the promise of equality for all women. However, a closer look reveals that in various fields of culture the representation of women frequently undergoes a manipulation which makes the image of women lose the intention initially attempted.

  This is often the case with adaptations of literary texts to the screen, when the initial literary message is changed because of, for example, marketing demands or some ideological stance. Rarely do we find the opposite case where the indifferent or emasculated original female characters are turned into guardians and/or apologists of feminine power. The present volume focuses precisely on the way in which the image of women is modified in films and TV series, when compared with the original literary texts.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • "I want my money back”: Some Considerations on the Dialectics of Texts and Films

    Manuel Almagro Jiménez, Eva Parra-Membrives

    págs. 9-28

    

  • Children’s stories for adults

    • Heidi goes kawaii: The Evolution of Fräulein Rottenmeier in the Animated Versions of Johanna Spyri s Novels

      Lorena Silos Ribas

      págs. 29-46

      

    • An English girl in the states: The Impact of Context and Genre on the Film Adaptation of Roald Dahl's "Matilda"

      Bruno Echauri Galván, Silvia García Hernández

      págs. 47-72

      

    • Gender education and intermediality. A Look at the Reimagining of Secondary Female Characters from Book to Blockbuster

      Yiyi López Gándara

      págs. 73-93

      

  • The fantastic: from the past and the future

    • From “wife of my bosom” to “female thing”: E. A. Poe’s Ligeia and Roger Corman’s The Tomb of Ligeia

      Marta Mariño Mexuto

      págs. 95-108

      

    • Éowyn vom buch zum film. Peter Jacksons Verfilmung von Tolkiens Der Herr der Ringe

      Miguel Ayerbe Linares

      págs. 109-128

      

    • Game of thrones & das lied von eis und feuer. Untersuchung der Darstellung von Frauen am Beispiel von Missandei

      Christiane Limbach

      págs. 129-158

      

    • Versions of self-search and self-transcendence in a posthuman paradigm. The Case of Motoko Kusanagi (Ghost in the Shell)

      Pedro David Alemany Navarro

      págs. 159-174

      

    • Wonder woman. From page to screen

      Sergio Cobo Durán, Irene Raya Bravo

      págs. 175-189

      

  • For women war is never over

    • Mgm’s three comrades: Frank Borzage, F. Scott Fitzgerald and Hollywood’s Courageous Weimar Women

      Alberto Lena

      págs. 191-214

      

    • “Wie oft?” or love in troubled times?: The Cinematographic Adaptation of A Woman in Berlin

      Manuel Almagro Jiménez

      págs. 215-236

      

    • Verfilmung von erinnerungsliteratur: Zur Darstellung der Figur Hanna Schmitz aus Bernhard Schlinks Der Vorleser

      Leopoldo Domínguez

      págs. 237-259

      

  • Demanding their own voice, stating their own needs

    • “O jamesy let me up out of this”. Molly Bloom in Joseph Strick’s and Sean Walsh’s Films

      Margarita Estévez Saá

      págs. 261-284

      

    • Katharina blum: Opfer oder täter?: Die weibliche Hauptfigur in Heinrich Böll und in Volker Schlöndorff und Margarethe von Trotta

      Montserrat Bascoy Lamelas

      págs. 285-302

      

    • The female body as stage for violence. Elfriede Jelinek’s The Pianist and its Film Version by Michael Haneke

      Claudia Garnica de Bertona

      págs. 303-314

      

    • Die ewige schuld der eva. Frau und Sünde in Petra Hammesfahrs Die Sünderin und der Netflix-Serie The Sinner

      Eva Parra-Membrives

      págs. 315-335

      

  • (Music is) a world within itself

    • The portrayal of the bad girl carmen. Eternal Hybridity of High and Low Entertainment

      Marina Tornero Tarrago

      págs. 337-356

      

    • From Civil Rights Chronicler to Chanel Nº 5: Mainstreaming Nina Simone

      Rocío Cobo Piñero

      págs. 357-374

      

    • Shekhinah in the music videos of leonard cohen

      Jiří Měsíc

      págs. 375-403