Información General

• Autores: Duncan Wheeler (coord.), Fernando Canet Centellas (coord.)
• Editores: Intellect
• Año de publicación: 2014
• País: Estados Unidos
• Idioma: inglés
• ISBN: 978-1-78320-406-9
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema. Wheeler, Duncan; Canet, Fernando (eds.) (2014). Bristol: Intellect

    María Pilar Rodríguez Pérez

    Zer: Revista de estudios de comunicación = Komunikazio ikasketen aldizkaria, ISSN-e 1137-1102, Vol. 20, Nº. 39, 2015, págs. 263-265

  • (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema Duncan Wheeler y Fernando Canet (eds.): Bristol : Intellect, 2014. 420 páginas.

    Fernando González García

    Secuencias: Revista de historia del cine, ISSN 1134-6795, Nº 43-44, 2016, págs. 190-193

Resumen

• Formulated around a number of key thematic concerns—new creative trends; the politics and practices of memory; auteurship, genre, and stardom in a transnational age—this reassessment of contemporary Spanish cinema from 1992 to 2012 brings leading academics from a broad range of disciplinary and geographical backgrounds into dialogue with critically and commercially successful practitioners to suggest the need to redefine the parameters of one of the world’s most creative national cinemas. This volume will appeal not only to students and scholars of Spanish film, but also to anyone with an interest in contemporary world cinema.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction: How and Why This Book Came into Being

    Fernando Canet Centellas, Duncan Wheeler

    págs. 1-6

    

  • Spanish Films, 1992-2012: Two Decades of Cinematic Production and Critical Discourse

    Duncan Wheeler

    págs. 7-34

    

  • From the Past to the Present: Contemporising Trends that Define Spanish Cinema

    Fernando Canet Centellas

    págs. 35-56

    

  • Part 1: Sense and Sensibility: New Forms of Being and Seeing in Recent SpanishCinema

    • Section introduction: Sense and Sensibility: New Forms of Being and Seeing in Recent SpanishCinema

      Duncan Wheeler

      págs. 57-64

      

    • Back to Africa? Colonial History and Postcolonial Dynamics in Recent Spanish Cinema

      Alberto Elena Díaz

      págs. 65-78

      

    • The New Ethos of Gay Culture and the Limits of Normalization

      Helio San Miguel

      págs. 79-92

      

    • Behind the Enigma Construct: A Certain Trend in Spanish Cinema

      Javier Moral

      págs. 93-104

      

    • Reproduction and Rhetorical Processes in the Construction of Reality: En Construccion and La leyenda del tiempo as Case Studies

      Fernando Canet Centellas

      págs. 105-118

      

    • Art and Ethnography: Miquel Barcelo and Isaki Acosta - Earth Magicians?

      Wenceslao García, Miguel Corella Lacasa

      págs. 119-131

      

    • The Everyday Affect: Isabel Coixet and the Five Senses

      Jennie Rothwell

      págs. 131-144

      

  • Part 2: Revisiting the Past: The Politics of Memory and the Transition's Cinematic Legacy

    • Section introduction: Revisiting the Past: The Politics of Memory and the Transition's Cinematic Legacy

      Duncan Wheeler

      págs. 145-152

      

    • Ana Torrent as Palimpsest in Elio Quiroga's No-Do (The Haunting)

      Sarah Wright

      págs. 153-164

      

    • Victimhood in Contemporary Spanish Documentary: The Politics of Agency in Jaime Camino's La vieja memoria and Los ninos de Rusia

      Melissa M. Gonzalez, Isabel Estrada

      págs. 165-176

      

    • New Bodies, New Sounds: Rediscovering the Eroticism of the Transition

      Alejandra Melero González

      págs. 177-190

      

    • Blood and Unfulfilled Promises: Representations of Terrorism and the Transition

      Concepción Cascajosa Virino

      págs. 191-204

      

    • Back to the Future: Repackaging Spain's Troublesome Past for Local and Global Audiences

      Duncan Wheeler

      págs. 205-234

      

    • Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Alex de la Iglesia's Films

      Vicente Rodríguez Ortega

      págs. 235-248

      

  • Part 3: Redefining Auteurship, Genre and Stardom in a Transnational Age

    • Section introduction: Redefining Auteurship, Genre and Stardom in a Transnational Age

      Duncan Wheeler

      págs. 249-258

      

    • Almodovar in the USA/The USA in Almodovar

      Cristina Martínez-Carazo

      págs. 259-270

      

    • Acting and Directing in Spain: Historicizing Stardom and the Author Function

      Duncan Wheeler

      págs. 271-290

      

    • Sex, Art and Commerce: Penelope Cruz and Isabel Coixet Tackle Philip Roth in Elegy

      Duncan Wheeler

      págs. 291-310

      

    • Deadly Hybridity: Sexykiller, the Female Serial Killer and the New Spanish Horror Film

      Shelagh Rowan Legg

      págs. 311-322

      

    • Flexing Generic Boundaries: Torrente, [REC] and Adolescent Cinema in Spain

      Agustín Rico Albero

      págs. 323-334

      

    • The Torrente Tetralogy: A Homegrown Saga

      Lidia Merás

      págs. 335-350

      

    • Hybrid Models: Auteurism and Genre in Contemporary Spanish Crime Thrillers

      Carmen Herrero Vecino

      • Texto completo

      págs. 351-365

      

    • Planet 51 and Spanish Animation: The Risks and Attractions of Globalization

      María Soler Campillo, Marta Martín Núñez, José Javier Marzal Felici

      págs. 365-376

      

  • Coda: Backstage Pass - Engaging with Practitioners and Cinematic Institutions

    • How to Make Arty Films Now

      Lluís Miñarro

      págs. 379-388

      

    • How to Make Commercial Films Now

      Mercedes Gamero, Duncan Wheeler

      págs. 389-404

      

    • San Sebastian: A Film Festival of Contrasts

      Mar Diestro-Dópido

      págs. 405-418

      

    • The Art Director as Architect: The Reconstruction of Deconstructed Memories

      Sandra Martorell Fernández

      págs. 419-430

      

    • The Films of Isaki Lacuesta: Hidden Portraits, Multiple Lives

      Linda C. Ehrlich

      págs. 431-440

      

    • Color perro que huye: An Audio-visual Prosumer versus the Institutional Cinematic Model

      Elena López Riera

      págs. 441-452

      

    • New Tendencies in Contemporary Cinema: Round Table Discussion with Jose Luis Guerin, Isaki Lacuesta and Luis Minarro

      Fernando Canet Centellas, Duncan Wheeler

      págs. 453-470