Contemporary Fairy-Tale Magic: Subverting Gender and Genre
Información General
- Autores: Lydia Brugué (ed. lit.), Auba Llompart Pons (ed. lit.)
- Editores: Brill
- Año de publicación: 2020
- Colecciones: At the Interface/Probing the Boundaries, 129
- País: Países Bajos
- Idioma: inglés
- ISBN: 9789004418981
- Texto completo no disponible (Saber más ...)
Reseñas
Ha sido reseñado en:
Brugué, L. y Llompart, A. (eds.) 2020. Contemporary Fairy-Tale Magic. Subverting Gender and Genre
Anuario de investigación en literatura infantil y juvenil: ANILIJ, ISSN-e 2660-7395, ISSN 1578-6072, Nº. 18, 2020, págs. 165-170
Resumen
Contemporary Fairy-Tale Magic studies the impact of fairy tales on contemporary cultures from an interdisciplinary perspective, with special emphasis on how literature and film are retelling classic fairy tales for modern audiences.
Otros catálogos
- Dialnet Métricas: 1 Cita
- Citas a capítulos: 4 Citas
Listado de artículos
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Contemporary Subversions of Gender in Fairy Tales
págs. 9-20
págs. 21-31
Fairy-Tale Reflections: Space and Women Host(age)s in Helen Oyeyemil's Boy, Snow, Bird
págs. 32-43
Un-Training the Imagination through Adaptation: an Exploration of Gender through Neil Gaiman's The Sleeper and the Spindle
págs. 44-53
"There Are Always Choices. She Made One": an Existential Approach to Neil Gaiman's The Sleeper and the Spindle
págs. 54-62
págs. 63-76
Cinderboy and Snow White and the Seven Aliens: Analysis of the Rewriting of Two Classic Tales and Their Translations to Spanish
págs. 77-88
págs. 89-98
págs. 99-106
The Strongest of the Fairies: Reworking Gender and Villainy in Walt Disney's Maleficent
págs. 107-115
págs. 116-125
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The Darkness of Contemporary Fairy Tales
págs. 129-137
Echoes of Fairy Tales: Fantasy and Everyday Horrors in Guillermo del Toro's Filmography
págs. 138-147
From Fairy Tales to Slasher Films: Little Red Riding Hood and Wes Craven's The Last House on the Left
págs. 148-157
págs. 158-168
Red Shoes, Witches and Creatures of the Forest: Dolores Redondo's Baztan Trilogy as Contemporary Fairy Tale
págs. 169-178
"A Happy Person Never Phantasies": Repression and Projection of the Self in John Connolly's The Book of Lost Things
págs. 179-188
"Children were terrified of her": Interpreting Susan Hill's The Woman in Black as a Folktale
págs. 189-200
The Broken Voice of History: Fairy Tales, Anti-Tales, and Holocaust Representation
págs. 201-210
Peter Pan Goes to War: the Reimaging and Exploration of J.M. Barrie's Story as a Historically Realistic Graphic Novel
págs. 211-226
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Other Contemporary Subversions of Genre through Faity Tales
págs. 229-239
Rodents in Children's Literature and Audiovisual Fairy Tales: a Book-to-Film Adaptation Approach
págs. 240-249
Bear Tales: Ways of Seeing Polar Bears in Mythology, Traditional Folktales and Modern-Day Children's Literature
págs. 250-261
Cultural Writings of the Fairy Tale: a Spatial Reading of Three Studio Ghibli Productions
págs. 262-272
Contemporary Japanese Folktales Represented in Anime: the Paradigmatic Case of InuYasha
págs. 273-285
Oral Storytelling, Slavic Mythology, Philological Research and Fairy Tales: the Case of Croatian Tales of Long Ago
págs. 286-295
págs. 296-306
Where Else but Reading?: Blending Genres in Jasper Fforde's Nursery Crime Series
págs. 307-316
Following the Lead of Fairy Tales: Storytelling in Jeanette Winterson's The Passion
págs. 317-325
págs. 326-336
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