Información General

• Autores: Marvin D'Lugo (coord.), Kathleen M. Vernon (coord.)
• Editores: Wiley-Blackwell
• Año de publicación: 2013
• País: Estados Unidos
• Idioma: inglés
• ISBN: 978-1-1183-2536-0, 978-1-4051-9582-9
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Reseñas

    Álvaro Baquero-Pecino (res.), Eva Velasco (res.), Helen Freear-Papio (res.)

    Siglo XXI, literatura y cultura españolas: revista de la Cátedra Miguel Delibes, ISSN 1697-0659, Nº. 11, 2013, págs. 185-192

Resumen

• Edited by leading authorities on the subject, and bringing together a stellar cast of contributors, this detailed appraisal of Pedro Almodóvar’s unique cinematic art examines the themes, style, and aesthetics of his oeuvre and locates it in the context of the profound cultural transformations in Spain since the 1970s.

  Brings together a stellar cast of contributors from across the globe including recognized and established specialists as well as talented younger scholars Features contributions by Spanish film historians, where studies of Almodóvar’s work have been underrepresented in the academic literature Deploys new approaches to the analysis of film authorship by exploring contextual issues such as Almodóvar’s transnational appeal and the political dimensions of his works Traces the director’s fruitful collaborations in the areas of art and design, fashion and music

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction: The Skin He Lives In

    Marvin D'Lugo, Kathleen M. Vernon

    pág. 1

    

  • Part I. Bio-Filmography

    • Almodóvar’s Self-Fashioning: The Economics and Aesthetics of Deconstructive Autobiography

      Paul Julian Smith

      pág. 21

      

    • Creative Beginnings in Almodóvar’s Work

      Francisco A. Zurian Hernández

      pág. 39

      

    • Almodóvar and Hitchcock: A Sorcerer’s Apprenticeship

      Dona M. Kercher

      pág. 59

      

    • A Life, Imagined and Otherwise: The Limits and Uses of Autobiography in Almodóvar’s Films

      Alberto Mira Almodóvar

      pág. 88

      

  • Part II. Spanish Contexts

    • El Deseo’s “Itinerary”: Almodóvar and the Spanish Film Industry

      Marina Díaz López

      pág. 107

      

    • Almodóvar and Spanish Patterns of Film Reception

      Josetxo Cerdán, Miguel Fernández Labayen

      pág. 129

      

    • Memory, Politics, and the Post-Transition in Almodóvar’s Cinema

      Juan Carlos Ibáñez

      pág. 153

      

    • The Ethics of Oblivion: Personal, National, and Cultural Memories in the Films of Pedro Almodóvar

      Adrián Pérez Melgosa

      pág. 176

      

  • Part III. At the Limits of Gender

    • Our Rapists, Ourselves: Women and the Staging of Rape in the Cinema of Pedro Almodóvar

      Leora Lev

      pág. 203

      

    • Paternity and Pathogens:: Mourning Men and the Crises of Masculinity in "Todo Sobre Mi Madre" and "Hable Con Ella"

      Dean Allbritton

      pág. 225

      

    • Domesticating Violence in the Films of Pedro Almodóvar

      Noelia V. Saenz

      pág. 244

      

    • "La piel que habito": A Story of Imposed Gender and the Struggle for Identity

      Francisco A. Zurian Hernández

      pág. 262

      

  • Part IV. Re-readings

    • Re-envoicements and Reverberations in Almodóvar’s Macro-Melodrama

      Marsha Kinder

      pág. 281

      

    • The Flower of His Secret: "Carne trémula" and the Mise en Scène of Desire

      Celestino Deleyto Alcalá

      pág. 304

      

    • Scratching the Past on the Surface of the Skin: Embodied Intersubjectivity, Prosthetic Memory, and Witnessing in Almodóvar’s "La mala educación"

      Julián Daniel Gutiérrez Albilla

      pág. 322

      

    • Almodóvar’s Stolen Images

      Javier Herrera Navarro

      pág. 345

      

  • Part V. Global Almodóvar

    • Women on the Verge of a Nervous Breakdown: From Madrid (1988) to New York (2010)

      Isolina Ballesteros

      pág. 367

      

    • Almodóvar’s Global Musical Marketplace

      Kathleen M. Vernon

      pág. 387

      

    • Almodóvar and Latin America: The Making of a Transnational Aesthetic in "Volver"

      Marvin D'Lugo

      pág. 412

      

    • Is there a French Almodóvar?

      Jean Claude Seguin

      pág. 432

      

    • Almodóvar in Asia: Hong Kong, Taiwan, and LGBT Film Culture

      E. K. Tan

      pág. 453

      

  • Part VI. Art and Commerce

    • To the Health of the Author: Art Direction in "Los abrazos rotos"

      John D. Sanderson Pastor

      • Resumen

      pág. 471

      

    • Making Spain Fashionable: Fashion and Design in Pedro Almodóvar’s Cinema

      Gerard Dapena

      pág. 495

      

    • Almodóvar, Cyberfandom, and Participatory Culture

      Vicente Rodríguez Ortega

      pág. 524