Información General

• Autores: Rui Carvalho Homem (ed. lit.)
• Editores: Rodopi
• Año de publicación: 2012
• Colecciones: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 158
• País: Países Bajos
• Idioma: inglés
• ISBN: 978-90-420-3581-2
• Texto completo no disponible (Saber más ...)

Resumen

• This collection focuses on texts that address the other arts - from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Designs coalesce around the argument that representations are defined by relations and dynamics, rather than intrinsic features. This rationale is supported by the discourses and methodologies favoured by the book's contributors: their approaches offer a cross section of the intellectual and critical environment of our time. The book illustrates the critical possibilities that derive from the broad range of modes of inquiry - poststructuralist criticism, gender studies, postcolonial studies, new historicism - that the book's four sections bring to bear on a wealth of intermedial practices. But Relational Designs compounds such critical emphases with the voice of the practitioner: the book is rounded off by an interview in which a contemporary novelist discusses her attraction to the other arts in terms that extend the book's insights and bridge the gap between academic discourse and artistic practice.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • General introduction

    Rui Carvalho Homem

    págs. 13-21

    

  • 1. The centre of the canon and its elsewheres : Shakespeare's wanderings

    • The centre of the canon and its elsewheres: Sahkespeare's wanderings : introduction

      Miguel Ramalhete Gomes

      págs. 25-30

      

    • A fellow of infinite jest

      Remedios Perni Llorente

      • Resumen

      págs. 31-41

      

    • Shaping the spectacle: faking, making and performing reality through Shakespeare

      Agnes Matuska

      • Resumen

      págs. 43-56

      

    • The Framing of the Shrew: how the lens looks upon William Shakespeare's "The taming of the Shrew"

      Sofia de Melo Araújo

      • Resumen

      págs. 57-69

      

    • "The artwork on exhibit runs about": Brigitte Maria Mayer's filmic adaptation of Heiner Müller's "Anatomie Titus fall of Rome"

      Miguel Ramalhete Gomes

      • Resumen

      págs. 71-83

      

  • 2. Changing experiences, changing discourses: the challenges of intermediality

    • Changing experiences, changing discourses: the challenges of intermediality : introduction

      Jorge Miguel Bastos da Silva

      págs. 87-96

      

    • Ekphrasis revisited: crossing artistic boundaries

      Carmen Lara Rallo

      • Resumen

      págs. 97-108

      

    • The cinematograph in the novel

      Helena Lopes

      • Resumen

      págs. 109-120

      

    • Formal doubleness and moral duplicity: the Holocaust on the page and screen

      Jorge Miguel Bastos da Silva

      • Resumen

      págs. 121-135

      

    • Hitchcock goes East: postcolonial gothic in "Under Capricorn"

      Maria Sofia Pimentel Biscaia

      • Resumen

      págs. 137-151

      

    • "Bright star": reinventing romantic poetry for the screen

      Margarida Esteves Pereira

      • Resumen

      págs. 153-165

      

    • Reaching beyond the commix/ture: Art Spiegelman's "Maus" as relational genre

      Martín Urdiales Shaw

      • Resumen

      págs. 167-183

      

    • Relational genres, gapped narratives, and metafictional devices in Daniel Clowes's "David Boring"

      Daniel Nicolás Ferreiro

      • Resumen

      págs. 185-198

      

    • The verbal and the visual in advertising language: a cross-cultural analysis

      Ekaterina Eynullaeva, Elizabeth Woodward-Smith

      • Resumen

      págs. 199-212

      

  • 3. Writing and the gaze : inscriptions of the Modern

    • Writing an the gaze: inscriptions of the Modern : introduction

      Teresa Louro

      págs. 215-219

      

    • Radical eye rhymes: visual strategies in Modernist poetry

      Martin Heusser

      • Resumen

      págs. 221-235

      

    • The visual artifact in the poetry of Thomas McGreevy

      Francis Hutton-Williams

      • Resumen

      págs. 237-252

      

    • Humble relics: Beckett and Van Gogh's boots

      Julie Bates

      • Resumen

      págs. 253-265

      

    • The ekphrastic evocation of real-ity and the Modernist dismantling of pictorial frames in fiction

      José Tomás Monterrey Rodríguez

      Es reseña de:

      • The ekphrastic evocation of real-ity and the Modernist dismantling of pictorial frames in fiction

        José Tomás Monterrey Rodríguez

        Relational designs in literature and the arts: page and stage, canvas and screen / Rui Carvalho Homem (ed. lit.), 2012, ISBN 978-90-420-3581-2, págs. 267-278

      Ha sido reseñado en:

      • The ekphrastic evocation of real-ity and the Modernist dismantling of pictorial frames in fiction

        José Tomás Monterrey Rodríguez

        Relational designs in literature and the arts: page and stage, canvas and screen / Rui Carvalho Homem (ed. lit.), 2012, ISBN 978-90-420-3581-2, págs. 267-278

      • Resumen

      págs. 267-278

      

    • Modernism and the metropolis: representing the city as transitory spectacle

      María Teresa Caneda Cabrera

      • Resumen

      págs. 277-291

      

    • The modern work of art and the spatialisation of time: painting in the novel

      Angeliki Spiropoulou

      • Resumen

      págs. 293-302

      

    • Virginia Woolf and the art of pain

      Teresa Louro

      • Resumen

      págs. 303-312

      

    • Into the stride of the poem

      Aidan MacCardle

      • Resumen

      págs. 313-323

      

  • 4. Postmodern shifts : narrative and the Arts

    • Postmodern shifts: narrative and the Arts : introduction

      Márcia Lemos

      págs. 327-331

      

    • "When you look through the eyes of another": Mary and Lydia Cassatt in art, life, and fiction

      Teresa Casal

      • Resumen

      págs. 333-348

      

    • "An agony of perceivedness"?: gazes and disguises in the works of James Joyce and Cindy Sherman

      Márcia Lemos

      • Resumen

      págs. 349-360

      

    • The journey as pictorial metaphor in Thomas Pynchon's "The crying of Lot 49"

      Ana Rull Suárez

      • Resumen

      págs. 361-370

      

    • "Death and the young man": Saramago's "Death at intervals"

      Maria Aline Ferreira

      • Resumen

      págs. 371-385

      

    • Performances of uncertainty in spaces of contingency: aesthetic confinement and mechanisms of silencing in Paul Auster, Haruki Murakami, and Park Chan-wook

      Eduardo Barros-Grela

      • Resumen

      págs. 387-398

      

  • An afterpiece

    • Painting with words and becoming other people: theatre and the visual arts in "Molly Fox's birthday" and "Authenticity" : an interview with novelist Deirdre Madden

      Teresa Casal (entrev.), Deirdre Madden (entrevistado)

      págs. 401-411