This edited volume explores Filipino artistic expressions, which include not only visual arts and architecture but also literature and everyday objects. Grounded in its local context yet deeply connected to Asia, Latin America, and Europe, the Philippines developed a rich artistic landscape through trade, migration, religious encounters, and exchanges. From indigenous culture to the 19th century, this collection offers new insights into the plurality and intricacy of artistic traditions that articulate the Filipino worldwiew.
Orality as Object: The Material Life of Philippine Metrical Romances and its Depiction of Women
págs. 17-66
págs. 67-88
Sa Loob ng Intramuros.: Baroque Remembrance in Nick Joaquin’s A Portrait of the Artist as Filipino
págs. 89-120
Salay: Examining toponymic representations from text and memory
págs. 121-150
págs. 151-186
Images of Subjugation: The Imagined and Political Realities of Controlling the Cordillera
págs. 187-212
Inventing a People: Distorting the Images of Macabebe, 1899
págs. 213-244
Colonial Passage and Religious Timelessness: The Image of Sculpture on the Cusp of Nation
págs. 245-270
Los trabajos y los días: Sevilla en Filipinas (mediados del XVII)
págs. 271-296
Tracing Philippine Baroque Art: A Look into the Heritage Provenance of the 17th-Century Retablos of Silang
Phillip C. Larson
págs. 297-340
Legacy Wood: Configuring A Periodic Table for Identifying the Timber Species and Dating of Galleon-Era Philippine Wooden Artifacts
págs. 341-376
La Zarangola: The Kite-Fighting Legacy of Las Filipinas to the Coast of Guerrero, Mexico during the Acapulco-Manila Galleon
págs. 377-404
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