Special section on “game over!”: Us drama and theater and the end(s) of an american idea(l)
págs. 1-6
When the tragic hero survives;: Or, the case of Pontiac in Robert Rogers’s ponteach (1766)
págs. 7-27
págs. 29-45
The Party’s Over: Recounting the Past in American AIDS Plays
págs. 47-61
Suzan-Lori Parks and Naomi Wallace in Relation: Playing the American Game for Real and Beyond
págs. 63-81
From La Viuda to letters from Cuba: Family correspondence in María Irene Fornés’ theater
págs. 83-98
Playing House: Spatiality, Home, and Privacy in the Theatre of Jennifer Haley
págs. 99-119
págs. 121-140
Es reseña de:
Evelyn Brown (A Diary), conceived and originally directed by María Irene Fornés, Directed by Alice Reagan. Performed at La Mama, NYC, May 19- June 4, 2023.
págs. 141-146
Early 20th-century american travelers and art dealers of the spanish artistic and historical heritage:: Arthur and Mildred Stapley Byne and their double lives as plunderers and travel writers
págs. 147-164
“One nightmare replaces another”: Trauma and mourning in the age of terror through paul auster’s travels in the scriptorium and man in the dark.
págs. 165-186
'For Evermore': An Examination of Musical Ekphrases of E. A. Poe's "The Raven"
págs. 187-211
"My beard is my own”: Herman Melville’s beard poetics in his narratives of maritime masculinity
págs. 213-229
Human Waste Down the Sewer: The Racist Abnormalities of US Life in Richard Wright's The Man Who Lived Underground
págs. 231-250
Review of Rosas en la arena. Los relatos de Susan Glaspell. Noelia Hernando-Real.: València: Universitat de València, 2022, pp. 248. ISBN: 978-84-9134-048-1.
Es reseña de:
Rosas en la arena. Los relatos de Susan Glaspell. Noelia Hernando-Real.: València: Universitat de València, 2022, pp. 248. ISBN: 978-84-9134-048-1.
págs. 251-256
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