Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos

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  Año 2018, Vol. 40, Número 1

  • Negative Preposing: Intervention and Parametric Variation in Complement Clauses

    Ángel L. Jiménez Fernández

    • Resumen
    • Texto completo

    págs. 11-37

    

  • “Which Came First: The Chicken or the Egg?” Ditransitive and Passive Constructions in the English Production of Simultaneous Bilingual English Children

    Silvia Sánchez Calderón, Raquel Fernández Fuertes

    • Resumen
    • Texto completo  1    2  

    págs. 39-58

    

  • Genre Shifting in Restoration Adaptations of Cervantes’s “El curioso impertinente”

    Jorge Figueroa Dorrego

    • Resumen
    • Texto completo

    págs. 59-75

    

  • Graham Greene’s "The living room": an uncomfortable catholic play in Franco’s Spain

    Mónica Olivares Leyva

    • Resumen
    • Texto completo  1    2  

    págs. 77-95

    

  • The Storyteller’s "Nostos": Recreating Scheherazade and Odysseus in Kazuo Ishiguro’s "Never Let Me Go"

    Manuel Botero Camacho, Miguel Rodríguez Pérez

    • Resumen
    • Texto completo

    págs. 97-115

    

  • Talking Bodies: Sexual Abuse, Language, Illness and Dissociation in Camilla Gibb’s "Mouthing the Words"

    Shadia Abdel-Rahman Téllez

    • Resumen
    • Texto completo

    págs. 117-133

    

  • "Thus Spoke Proctor": Nietzsche and the Overman in Arthur Miller’s "The Crucible"

    Pouria Torkamaneh, Ali Ghaderi

    • Resumen
    • Texto completo

    págs. 135-152

    

  • Nonnarrative and history in Barrett Watten’s "Under erasure"

    Manuel Brito Marrero

    • Resumen
    • Texto completo

    págs. 153-174

    

  • The Thin Frontera between Visibility and Invisibility: Felicia Luna Lemus’s "Like Son"

    Amaia Ibarraran Bigalondo

    • Resumen
    • Texto completo

    págs. 175-191

    

  • Transgenerational Affect and Cultural (Self)Acceptance in Two TransCanadian Short Stories

    María Belén Martín Lucas

    • Resumen
    • Texto completo

    págs. 193-211