Negative Preposing: Intervention and Parametric Variation in Complement Clauses
págs. 11-37
págs. 39-58
págs. 59-75
Graham Greene’s "The living room": an uncomfortable catholic play in Franco’s Spain
págs. 77-95
The Storyteller’s "Nostos": Recreating Scheherazade and Odysseus in Kazuo Ishiguro’s "Never Let Me Go"
págs. 97-115
Talking Bodies: Sexual Abuse, Language, Illness and Dissociation in Camilla Gibb’s "Mouthing the Words"
págs. 117-133
"Thus Spoke Proctor": Nietzsche and the Overman in Arthur Miller’s "The Crucible"
págs. 135-152
págs. 153-174
The Thin Frontera between Visibility and Invisibility: Felicia Luna Lemus’s "Like Son"
págs. 175-191
págs. 193-211
Juan Ignacio Guijarro González (res.)
Es reseña de:
Poemas de la era del jazz. Introducción y traducci ón de Jesús Isaías Gómez López.
F. Scott Fitzgerald
Visor Libros, 2016
págs. 215-218
Marta Ramón García (res.)
Es reseña de:
Words of crisis, crisis of words: Ireland and the representation of critical times / coord. por María Losada Friend, María Auxiliadora Pérez Vides, Pilar Ron Vaz
Cambridge Scholars Publishing, 2016. ISBN 978-1-4438-8887-5
págs. 219-223
Bart Eeckhout and Lisa Goldfarb, eds. 2017. Poetry and Poetics after Wallace Stevens.
Santiago Rodríguez Guerrero-Strachan (res.)
Es reseña de:
Poetry and Poetics after Wallace Stevens.
Bart Eeckhout, Lisa Goldfarb
Bloomsbury Academic, 2017
págs. 225-229




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