págs. 5-11
págs. 13-25
págs. 27-43
págs. 45-58
“Go where the Love Is”: Failed Emotional Negotiations of Space and Identity in Tessa McWatt's "This Body"
págs. 59-72
The Art of the Self: Identity and Performance in Sunetra Gupta’s So Good in Black and Kamila Shamsie’s Broken Verses
págs. 73-87
“I am not one of his followers”: The Rewriting of the Cultural Icon of the Virgin in Colm Tóibín’s The Testament of Mary
págs. 89-100
The Postcolonial Writer in Performance: J. M. Coetzee’s Summertime
págs. 101-112
págs. 113-127
This Is a Man's World: Drag Kings and the Female Embodiment of Masculinity
págs. 129-141
Affect and Agency in Modern Warfare Videogames: feeling the Muslim Enemy
págs. 143-155
Performance and the City: constructing Urban Identities in Contemporary London
págs. 157-174
págs. 175-191
Myths of Primitiveness: a Barthean Interpretation of Rhetorical Devices in Early Jazz
págs. 195-212
“Scealcas of sceaðum scirmæled swyrd”: analysing Judith's Language and style in translation through a key sample case (161b-166a) and a twin coda (23 & 230)
págs. 213-224
págs. 225-238
págs. 239-257
The Spectral Evidence of Photography in Rachel Seiffert’s The Dark Room: an Album of Fractured Lives
págs. 259-270
Alexander Pope: literary Translator and Editor, from Binfield to Twickenham
págs. 271-293
Laura Mariottini (res.)
Es reseña de:
Discourses on Immigration in Times of Economic Crisis: A Critical Perspective / coord. por María Martínez Lirola
Cambridge Scholars Publishing : Newcastle upon Tyne, 2013. ISBN 978-1-4438-4053-8
págs. 297-298
Lin Elinor Pettersson (res.)
Es reseña de:
Victoriana: Histories, Fictions, Criticism
Cora Kaplan
Edinburgh : Edinburgh University Press, 2007
págs. 299-302
Silvia Molina Plaza (res.)
Es reseña de:
The language of architecture and civil engineering
Ana Roldán Riejos, Joaquín Santiago López, Paloma Ubeda Mansilla
Cambridge Scholars. ISBN 9781443831673
págs. 302-304
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