The figure of the monster is, almost from its very definition, a product of the imagination and the scientific and technological skills of its creator, who is usually described as a prodigious and exceptional individual. Beyond the meanings conveyed by representations of the monstrous, however, the central question of all works of fiction that use this resource in the realm of the fantastic is also that of the role of man and the task he sets himself as creator and, therefore, as a true monster, according to the etymological meaning of the Latin -monstrum: something unusual, exceptional or a prodigy contrary to the natural order-. The question manifests itself in different ways in the realms of cinema, comics and, of course, literature.
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A Horror Genre Approach to Timon West’s Films X and Pearl: Revisiting and Updating Slasher Fiction and the Female Gothic Through Aging and Gender
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The Controling and Watchful Eye from Above. Meanings of Vertical Space Division of the City in the Ovas Alita: Battle Angel (1993)
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The Representation of the Japanese Ideology in Hayao Miyazaki’s Fantastical Creatures: Spirited Away
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Even the Very Wise Cannot See All Ends: Gollum Alter Ego of Heroes
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The Hybrid Identity of rhe Monster: Dialectics of the Possible and Impossible in Video Game Narratives
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Fantastic and Digital Landscape: Pictorial Modalities and Interpretations in Early Adventure Game Environments
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The World Fragmented Into Alternative Dimensions: Intertextuality, Verisimilitude, and Fiction in Félix J. Palma’s Victorian Trilogy
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