This collection gathers for the first time criticism on Ezra Pound’s lifelong involvement with Spain and Spanish culture, from his early visits to the dedication of the first monument to him in Spain in 1973. Part One includes an introduction and chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, his contemporary Spanish connections, and his Spanish legacy, while Part Two gathers Pound’s own writing on Spain not accessible elsewhere.
“A Dream Spain”: The Legacy of Spain in Pound’s Oeuvre
págs. 5-32
Pound’s Ibn Rushd (Averroes): The Arabic Contribution to an Alternate History
págs. 35-49
“The Pale Dawn of Spain”: Pound’s Morphology of Dawn
págs. 51-66
The Vitality and Precision of the Poetic Word Onstage: Ezra Pound’s Reflections on Lope de Vega
págs. 67-82
Pound Lopista v. E.P.: Dissociation from the Spanish Baroque
págs. 83-95
págs. 99-106
págs. 107-118
págs. 119-134
págs. 135-142
págs. 143-160
Pound and Unamuno: The History of a Collaboration
págs. 163-178
Juan Ramon and the Imagists: A Reappraisal of “Modernism(o)”
págs. 179-189
Lines of Division: Nancy Cunard, Ezra Pound, Langston Hughes, and the Spanish Civil War
págs. 191-205
Discovering the Mediterranean Sanity: Pound and Hemingway —and Juan Ramon Masoliver
págs. 207-219
págs. 223-236
Science and Silence: Reading Antonio Colinas in the Light of Pound’s Theory of the Image
págs. 237-251
The Cantos in Translation: The Spanish Variations
págs. 253-270
Pound and the Novísimo Poets: Three MemoirsA. Brief Chronicle of an Encounter
págs. 271-276
págs. 277-284
págs. 285-286
págs. 289-299
págs. 300-303
págs. 304-312
págs. 313-320
págs. 321-340
págs. 341-357
págs. 358-380
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