Información General

• Autores: Viorica Patea Birk (coord.), John Gery (coord.), Walter Baumann (coord.)
• Editores: Clemson University
• Año de publicación: 2024
• Colecciones: Ezra Pound Center for Literature
• País: Estados Unidos
• Idioma: español
• ISBN: 9781638040620
• Texto completo no disponible (Saber más ...)

Resumen

• This collection gathers for the first time criticism on Ezra Pound’s lifelong involvement with Spain and Spanish culture, from his early visits to the dedication of the first monument to him in Spain in 1973. Part One includes an introduction and chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, his contemporary Spanish connections, and his Spanish legacy, while Part Two gathers Pound’s own writing on Spain not accessible elsewhere.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Part One Ezra Pound and the Spanish world: Essays

    • “A Dream Spain”: The Legacy of Spain in Pound’s Oeuvre

      Viorica Patea Birk

      págs. 5-32

      

    • Pound’s Ibn Rushd (Averroes): The Arabic Contribution to an Alternate History

      Maria Ardizzone

      págs. 35-49

      

    • “The Pale Dawn of Spain”: Pound’s Morphology of Dawn

      Giuliana Ferreccio

      págs. 51-66

      

    • The Vitality and Precision of the Poetic Word Onstage: Ezra Pound’s Reflections on Lope de Vega

      Natalia Carbajosa Palmero

      págs. 67-82

      

    • Pound Lopista v. E.P.: Dissociation from the Spanish Baroque

      Paula Barba Guerrero

      págs. 83-95

      

    • Re-Reading Pound and Camões

      Stephen Wilson

      págs. 99-106

      

    • Menippean Satire and Carnivalism in Ezra Pound’s Pisan Canto 74

      John Rhett Forman

      págs. 107-118

      

    • The Congruence of Lope de Vega’s Plays and Noh in The Pisan Cantos

      Yoshiko Kita

      págs. 119-134

      

    • Washington Irving’s Alhambra in The Cantos

      Caterina Ricciardi

      págs. 135-142

      

    • Pound’s Prado and the “Glimpse of Velazquez”

      John Gery

      págs. 143-160

      

    • Pound and Unamuno: The History of a Collaboration

      Miriam Borham Puyal

      págs. 163-178

      

    • Juan Ramon and the Imagists: A Reappraisal of “Modernism(o)”

      Santiago Rodríguez Guerrero-Strachan

      págs. 179-189

      

    • Lines of Division: Nancy Cunard, Ezra Pound, Langston Hughes, and the Spanish Civil War

      Jennifer Kilgore Caradec

      págs. 191-205

      

    • Discovering the Mediterranean Sanity: Pound and Hemingway —and Juan Ramon Masoliver

      Massimo Bacigalupo

      págs. 207-219

      

    • Pound’s Amulet in Roberto Bolano’s Novels

      Emanuele Zoppellari Perale

      págs. 223-236

      

    • Science and Silence: Reading Antonio Colinas in the Light of Pound’s Theory of the Image

      Melania Stancu

      págs. 237-251

      

    • The Cantos in Translation: The Spanish Variations

      Leonor María Martínez Serrano

      págs. 253-270

      

    • Pound and the Novísimo Poets: Three MemoirsA. Brief Chronicle of an Encounter

      Antonio Colinas Lobato

      págs. 271-276

      

    • Pound’s Classics as a Model for the Novísimos

      Jaime Siles Ruiz

      págs. 277-284

      

    • Ezra Pound, The Homer of the 21st Century

      Luis Alberto de Cuenca

      págs. 285-286

      

  • Part Two Ezra Pound and the Spanish world: a Reader

    • Letter from Ezra Pound to Viola Baxter, May 9, 1906

      págs. 289-299

      

    • Pound’s Postcards to Viola Baxter from Madrid, May 27, 1906

      págs. 300-303

      

    • Correspondence of Pound and the Librarians of the Royal Palace Library, Madrid, May 28–June 7, 1906

      págs. 304-312

      

    • Ezra Pound, “Burgos: A Dream City of Old Castile,” 1906

      págs. 313-320

      

    • Ezra Pound, “Some Notes on Francisco de Quevedo Villegas,” 1921

      págs. 321-340

      

    • Ezra Pound, Letter to Jose Vazquez Amaral, October 23, [1954]

      págs. 341-357

      

    • Letters of Ezra Pound and Dorothy Pound to Juan Ramon Jimenez and Zenobia Camprubi, 1948–56

      págs. 358-380