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Bulletin of Spanish Studies, ISSN-e 1478-3428, ISSN 1475-3820, Vol. 99, Nº 1, 2022, págs. 190-191
Dissonances of Modernity: Music, Text, and Performance in Modern Spain. Edited by Irene Gómez-Castellano and Aurélie Vialette. Chapel Hill: University of North Carolina Press, 2021. Pp. 352. $65 (paperback). ISBN 9781469651927
Hispanic Research Journal: Iberian and Latin American Studies, ISSN 1468-2737, Vol. 23, Nº 2-3, 2022, págs. 269-270
Revista de estudios hispánicos, ISSN 0034-818X, Vol. 56, Nº 2, 2022, págs. 301-303
Hispanófila: Literatura - Ensayos, ISSN 0018-2206, Nº 197, 2023, págs. 150-151
Catalan Review: international journal of Catalan culture, ISSN 0213-5949, Vol. 37, 2023, págs. 141-144
Journal of Spanish Cultural Studies, ISSN 1463-6204, ISSN-e 1469-9818, Vol. 25, Nº. 1, 2024, págs. 189-191
Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volume's historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados' central role in Catalan identity; from Francisco Barbieri's Madrid to the Wagnerian's influence in Benito Perez Galdos' prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist' cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culture--zarzuelas, choruses of industrial workers, opera, national anthems--but also their inter-dependence in the artists' creativity.
Lands Without a Song: Autonomous Communities’ Quest for an Anthem
Remaking the Ready-Made Espagnolade: Carmen in Spanish Cinema
Between Sublime Performance and Filthy Lucre: The Voice of Serafina Gorgheggi in Su único hijo by Leopoldo Alas
Galdós’s Gloria: Tweaking the Paradigm of Wagner’s Der fliegende Holländer
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