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This book is a collection of essays and offers an in-depth analysis of silence as an aesthetic practice and a textual strategy which paradoxically speaks of the unspoken nature of many inconvenient hidden truths of Irish society in the work of contemporary fiction writers. The study acknowledges Ireland’s history of damaging silences and considers its legacies, but it also underscores how silence can serve as a valuable, even productive, means of expression. From a wide range of critical perspectives, the individual essays address, among other issues, the conspiracies of silence in Catholic Ireland, the silenced structural oppression of Celtic Tiger Ireland, the recovery of silenced stories/voices of the past and their examination in the present, as well as millennial disaffection and the silencing of vulnerability in today’s neoliberal Ireland. The book ’s attention to silence provides a rich vocabulary for understanding what unfolds in the quiet interstices of Irish writing from recent decades. This study also invokes the past to understand the present and, thus, demonstrates the continuities and discontinuities that define how silence operates in Irish culture.
Introduction: Silences that Speak
págs. 1-19
Conspicuously Silent: The excesses of religion and medicine in Emma Donoghue’s historical novels The Wonder and The Pull of the Stars
págs. 21-42
“To Pick Up the Unsaid, and Perhaps Unknown, Wishes”: Reimagining the “True Stories” of the Past in Evelyn Conlon’s Not the Same Sky
págs. 43-64
“He’s Been Wanting to Say That for a LongTime”: Varieties of Silence in Colm Tóibín’s Fiction
págs. 65-86
págs. 87-107
págs. 109-129
págs. 131-149
“A Self-Interested Silence”: Silences Identified and Broken in Peter Lennon’s Rocky Road to Dublin (1967)
págs. 151-166
págs. 167-189
“Sure, Aren’t the Church Doing Their Best?”: Breaking Consensual Silence in Emer Martin’s The Cruelty Men
págs. 191-212
págs. 213-233
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