Información General

• Autores: Graham Keith Gregor (ed. lit.), Juan F. Cerdá (ed. lit.), Laura Campillo Arnaiz (ed. lit.), Clara Calvo López (ed. lit.)
• Editores: Universidad de Murcia, Servicio de Publicaciones
• Año de publicación: 2022
• Colecciones: Editum. Signos, 53
• País: España
• Idioma: inglés
• ISBN: 978-84-18936-54-8
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Retrospective Poe: The Master, His Readership, His Legacy

    Ester Díaz Morillo

    Nexus, ISSN-e 1697-4646, Nº. 2, 2023, págs. 77-79

  • Shakespeare and the European Heritage: The Legacy of AngelLuis Pujante

    María del Mar Coronado Núñez

    Nexus, ISSN-e 1697-4646, Nº. 2, 2023, págs. 80-82

Resumen

• A tribute to the pioneering investigations of the Spanish scholar Ángel-Luis Pujante and his commitment to the idea of "foreign" Shakespeare, a Shakespeare who, with or without his language, is capable of meaning many different things to different linguistic and cultural constituencies, the volume brings together the original work of some of the foremost specialists in the field from a variety of European and also Latin American backgrounds. The essays reflect both the manifold nature of Shakespeare's presence in different cultural formations and the range of approaches to the description of that phenomenon. After an introductory essay on Shakespeare and Europe that presents a picture of Shakespeare's status in,and relation to, other cultures on the continent including the UK, the volume is divided into four "fields' of interaction with the writer's work: criticism and commemoration, translation, adaptation and fictionalisation, and stage and performance. While, of course, none of these approaches is exclusive of the others, nor (collectively) do they exhaust the number of possible approaches to Shakespeare's famously elusive work, they at least provide a sample of the rich and varied ways European scholars have engaged with it in recent times. In doing so, they help lay the groundwork for what Pujante and others have long conceived of as a truly European Shakespearean critical heritage.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Part I. Introduction

    • Shakespeare and Europe

      Ton Hoenselaars

      págs. 29-46

      

  • Part II. Criticism and commemoration

    • The generic transmutation of narrative components in Shakespeare's Drama

      Alexander Shurbanov

      págs. 49-66

      

    • "The office and devotion of their view": gaze and knowledge in "Antony and Cleopatra"

      Rui Carvalho Homen

      págs. 67-84

      

    • "All's well that ends well": nature and law in two Shakespearean comedies

      Andreas Hofele

      págs. 85-106

      

    • Re-locating race: the dual setting in "Othello" and "El valiente negro en Flandes"

      Graham Keith Gregor

      págs. 107-119

      

    • Mind's eye: "Hamlet" and Modernity

      A. Robert Lee

      págs. 121-134

      

    • Celebrating Shakespeare in Jerez

      Laura Campillo Arnaiz

      págs. 135-148

      

  • Part III. Translation

    • The problem of evil in "Macbeth"

      Salvador Oliva i Llinàs

      págs. 151-160

      

    • The first women who dared translate Shakespeare in Poland: Wiktotia Rosicka and Maria Sulkowka

      Maria Gubińska

      págs. 161-174

      

    • Between adulteration and explanation: on the origins of an unusual German Shakespeare translation

      Balz Engler

      págs. 175-185

      

    • Selección de sonetos en traducción rioplatense

      Miguel Angel Montezanti

      págs. 187-198

      

  • Part IV. Adaptation and fictionalisation

    • The King and the Countess, or: "Bandello on the Baltic Coast"

      Manfred Pfister

      págs. 201-220

      

    • Adaptations of adaptations: Austrian burlesques of "Othello" from the early nineteenth century to the present day

      Manfred Draudt

      págs. 221-240

      

    • Narration, conflict, polyphony: David Greig's dramaturgical experimentation

      Carla Dente

      págs. 241-266

      

    • Ian McEwan's "Nutshell" under the most excellent canopy of Shakespearean intertextuality

      Dirk Delabastita

      págs. 267-285

      

    • The king's man: fictions of Jacobean Shakespeare

      Paul Franssen

      págs. 287-302

      

  • Part V. Stage and performance

    • The earliest english travelling company in France, 1958

      Isabelle Schwartz Gastine

      págs. 305-316

      

    • Early feminist "Shrews": gender truce in World War I and the Interbellum

      Juan F. Cerdá

      págs. 317-345

      

    • Taming the shrew around wartime: from Europe to New York

      Clara Calvo López

      págs. 347-357

      

    • Has Shakespeare become political again?: recent Romanian productions

      Madalina Nicolaescu

      págs. 359-371

      

    • Shakespearean comedy and the curse of realism

      Michael Dobson

      págs. 373-390

      

    • "For now a time has come to mock at form": What's going on in Brexit Britain

      Michael Hattaway

      págs. 391-404

      

    • "High on a stage be placed to the view": "King Lear" and "Richard II" on the London Stage during the Brexit Years, 2016-2018

      Boika Sokolova

      págs. 405-420