This volume explores the different minor forms of musical theatre in the 18th and 19th century.
This volume addresses the complex variety of stage works with sung and spoken sections, such as «vaudeville», «singspiel», «opéra-comique», «zarzuela» or «operetta» in different European countries from the eighteenth century to the beginning of the Twenties. Beyond a multifaceted perspective, twenty-one essays investigate the nature of these musical theatre forms, attending their origins, literary sources, relationships, vocality or cultural transfers, features that in some cases have made them become a mass phenomenon. The dissemination and adaptation of these genres through different national contexts, confirms the significance of the long-standing relationship between them and the contemporary dramatical and musical repertoire, revealing significant synergies, always conditioned by the market evolution.
págs. 9-14
Sensibilité, Self-Sacrifice, and the Sentimental: Examining Jacques-Marie Boutet de Monvel and Nicolas Dalayrac’s Ideological DiversionPhilippe et Georgette (1791) at the Salle Favart
págs. 3-19
«Un petit récitatif sans accompagnement»: les vaudevilles à l’opéra-comique, nouvelles perspectives
págs. 21-45
L’opéra-comique come creazione collettiva: a Prisonnière (1799),Bayard à Mézières (1814), La Marquise de Brinvilliers (1831)
págs. 47-90
«En Hollandais, s’il vous plaît!»: Singing and Reciting French comédie-vaudeville in Amsterdam (1830s)
págs. 91-102
Johann Adam Hiller’s Lottchen am Hofe: Contextualising Singspiel in French Traditions
págs. 105-126
págs. 127-142
págs. 143-158
¿Actrices o cantantes?: Aspectos de la vocalidad en el teatro musical de José de Nebra
págs. 160-200
The Spanish zarzuela in the 19th Century: French Patterns, Italian Harmonies and Theatrical Hispanic Tradition
págs. 201-239
The Emergence of the revista de actualidades and the sainete lírico: Main Patterns of the género chico in the teatro por horas in Spain (1868-1901)
págs. 241-264
Discursos literarios sobre el género chico: funcionamiento, recepcióny controversias ideológicas entre el contexto local e internacional
págs. 265-291
The Music of Spain (1918) by Carl Van Vechten: Focusing on Spanish Coloratura Singers
págs. 293-312
From a Comedy to an opéra-comique: The Clandestine Marriage (1766) by Colman and Garrick and Its Adaptations in the 18th-Century Musical Theatre
págs. 355-381
Zarzuela y opereta: formatos dramático-musicales en un acto en la frontera crítica del siglo xviii al xix
págs. 384-408
págs. 409-434
De Barcelona al Parnaso: traducciones y adaptaciones de óperas bufas y operetas francesas en Barcelona
págs. 435-456
págs. 457-478
págs. 479-520
págs. 521-538
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