págs. 3-29
Telemann’s Fantasia No 2 à Travers Sans Basse:: Compositional Intentions, Performance Characteristics and Audio Footprint Signal Processing Analysis
Sofia B. Dias, Leontios J. Hadjileontiadis
págs. 31-47
The Sounds of the Baroque Tiles: An Iconographic Itinerary of St. Victor’s Church, Braga, Portugal
págs. 49-59
págs. 61-93
Amália Rodrigues in 2020: Mapping Some Ingenuously Improbable Portraits of the Fado Diva
págs. 95-115
págs. 119-132
págs. 133-152
págs. 153-168
págs. 169-188
A Review of Musical Rhythm Representation and (Dis)similarity in Symbolic and Audio Domains
Diogo Cocharro, Gilberto Bernardes, Gonçalo Bernardo, Cláudio Lemos Fonteles
págs. 189-208
On the Use of Automatic Onset Detection for the Analysis of Maracatu de Baque Solto
João Fonseca, Magdalena Fuentes, Filippo Bonini Baraldi, Matthew E. P. Davies
págs. 209-225
págs. 227-249
Reducing Annoyance of Healthcare Soundscapes with Harmonious Alarms
Frederico Pereira, Rui Marques, Joana Vieira, Guilherme Campos
págs. 251-272
The Music Training of General Primary Education Teachers: A Case Study at a Spanish University
págs. 275-291
Artistic Music Projects and Their Educational, Cultural and Social Relevance
Alberto Cabedo Más, Noemy Berbel Gómez, Blanca Maravillas Díaz Gómez
págs. 293-306
The Peripheral Curriculum: Music Education as a Way of Transformation and Social Justice in Children’s Lives
págs. 307-314
págs. 315-332
Teaching Piano Through Letters: An Innovative Educational Tool by Carl Czerny
págs. 333-346
págs. 347-360
págs. 361-377
págs. 379-390
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