An approach to Post-colonial Spanish literature: Donato Ndongo's "Las tinieblas de tu memoria negra"
págs. 13-18
Wars of words and the Peace process: Sean O'Faolain and the rewriting of Irish society
págs. 19-26
Leslie Marmon Silko's "Lullaby": the power of resistance and healing force to cultural and spiritual genocide
págs. 27-32
Unity in diversity: nationalism, multiculturalism and globalisation in Malaysian anglophone women's writing, 1940s-1990s
págs. 33-40
págs. 41-48
How to read the other: a new perspective in Post-colonial studies
págs. 51-60
The Colonial and the longing for objectivity: Elizabeth Bishop's Brazilian poems and her translations from the Portuguese
págs. 61-71
White Mistress vs. black slave: competing racial discourses in Caryl Phillip's "Cambridge"
págs. 73-80
"When the World becomes a big blur": the enigma of arrival in contemporary Caribbean literature
págs. 81-88
Transcultural formations: from Italian Canadian in Nino Ricci's Lives of the saints
págs. 89-95
Literary productions and the politics of multiculturalism in Australia: the case of Greek-Australian poet Dimitris Tsaloumas
págs. 97-104
Growing up between two cultures?: the next generation
págs. 107-115
The laundry and the restaurant: Judy Fong Bates' stories of the Chinese-Canadian community
págs. 117-123
págs. 125-135
Representation and native American cultural sovereignty: some case studies
David Murray
págs. 137-144
Conflicting viewpoints: tradition and change in "Tracks" by Louise Erdrich
págs. 145-151
The in-betweens: (Post)Colonial and (Post)Nationalist imagery in Ireland
págs. 155-162
Woman, and "enslaved/enclave", a reflection on the intertext of feminine personal histories and cultural and political history focusing on two contemporary Portuguese texts: "Novas cartas portuguesas" and "Dores" by Maria Velho da Costa
págs. 163-169
The dress is a text: Amma Darko's "Beyond the horizon"
págs. 171-185
Mothers and daughters: present conflict indide and outside the colonies
págs. 187-193
Negotiating differences: female dialogics and cultural hybridisation in Amy Tan's "The Joy Luck Club" and Arlene J. Chai's "The last time I saw mother"
págs. 195-201
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