Ha sido reseñado en:
[Book reviews]Myriam Diocaretz and Marta Segarra (eds): Joyful Babel
The Translator: studies in intercultural communication, ISSN 1355-6509, Vol. 11, Nº 2, 2005, págs. 289-292
'Joyful Babel: Translating Hélène Cixous' is a selection of critical essays on translation and the writing of Hélène Cixous, with contributions from translators of her texts into different languages and cultures. The present volume is unique in that it is the first collection of essays on the work of Cixous from the perspective of translation. It presents new explorations into translating as process, theory and practice, and new insights on Cixous’s fictional and theoretical world. It is an international collection, open to readings of Cixous’s writing, including the theoretical, fictional and dramatic discourses. The variety of intersecting subjects and perspectives provokes, interrogates and explores Cixous’s theory and writing in ways that will contribute to a deeper understanding of her oeuvre, will motivate new debates as well as inspire new research.
This book is addressed to a wide range of readers, from those who initiate themselves to translation or already practise it, to readers and critics of Cixous’s work, linguists and translation theorists, scholars interested in gender and postcolonial issues, and critics of contemporary literature; thus, not only academics but also professional translators, as well as drama/theatre staging practitioners.
págs. 7-22
Translating the enigma: Hélène Cixous's writing notebooks
págs. 25-38
págs. 39-44
Nearly reading Hélène Cixous: the "equivocal vocation" of translation
págs. 47-60
págs. 61-74
Translation's infinite spiral: reading, translating, reading Cixous
págs. 75-92
págs. 93-100
págs. 101-110
The betrayal of textual 'différance' (of the 'voiles'): a translational analysis of 'Savoir'
págs. 111-129
págs. 133-152
págs. 153-161
págs. 165-181
Translating Hélène Cixous's "Tambours sur la digue": the ineffable on stage
págs. 183-195
Hélène Cixous, translator of history and legend: "Ce transport vertigineux"
págs. 197-204
Beyond the text, into the realm of live performance: working on the "Portrait de Dora"
págs. 205-215
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