Información General

• Autores: Laura Alonso Gallo (coord.), Antonia Domínguez Miguela
• Editores: Universidad de Huelva
• Año de publicación: 2002
• Colecciones: Collectánea, 65
• País: España
• Idioma: inglés
• ISBN: 978-84-95699-70-1, 84-95699-70-2
• Texto completo no disponible (Saber más ...)

Resumen

• Colección de ensayos críticos de obras literarias norteamericanas firmadas por escritores exiliados y emigrantes, o por sus descendientes, ya nacidos en EE.UU., de origen cubano, mexicano, puertorriqueño, dominicano, asiático, afrocaribeño y europeo. Las obras literarias que se analizan fueron publicadas después de la Segunda Guerra Mundial, si bien se han incluido otras anteriores por ser antecedentes de esta literatura de diversas diásporas. The volume is a collection of critical essays on North American literary works produced by immigrant and exiled writers or American-born descendants of Cuban. Mexican, Puerto Rican, Dominican, Asian, European, and Afro-Caribbean origin. These literary works were published after the Second World War even though some earlier works have been included as antecedents of these literatures of diasporas. They create an amalgam of what being an American means in contemporary society.

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Introduction

    • New immigrants remaking America

      Laura Alonso Gallo (pr.), Antonia Domínguez Miguela (pr.)

      págs. 15-34

      

  • Literary legacies of the new Americans: Critical essays

    • Translating American literature into English:: The multilingual anthology of American literature

      Werner Sollors

      págs. 37-49

      

  • Building bridges across distant shores

    • Nostalgia in Cuban Theater across the shores

      Patricia Elena González

      • Resumen

      págs. 53-65

      

    • Going back home: Homelands and futurelands in Paule Marshall's praisesong for the widow

      Mar Gallego Durán

      • Resumen

      págs. 67-75

      

    • Chinese women's reconciliation in America in The Joy Luck Club

      Beatriz López Morrel

      • Resumen

      págs. 77-87

      

  • Recovering history and memory

    • The Good, the Brave, the Beautiful': Julia Alvarez's Homage to Female History

      Laura Alonso Gallo

      • Resumen

      págs. 89-100

      

    • Truly Confronting the Past: The Recovery of History and Identity in Afro-Caribbean Literature

      Silvia del Pilar Castro Borrego

      • Resumen

      págs. 101-108

      

    • One Image, a thousand words: Revealing and concealing in Aimee Liu's Face

      Amaia Ibarraran Bigalondo

      • Resumen

      págs. 109-115

      

  • Reclaiming women's voice and power

    • Family as the patriarchal confinement of women in Sandra Cisneros' The House on Mango Street and Loida M. Perez's Geographies of Home

      María Luisa Ochoa Fernández

      • Resumen

      págs. 119-128

      

    • The Woman Warrior and The Joy Luck Club: A Search for an Ethnic and Female Identity

      María del Carmen Moreno Gallardo

      • Resumen

      págs. 129-136

      

    • Resisting Naming and Naming Resistance: Arab-North American Feminists Anthologize

      Christina Civantos

      págs. 137-154

      

  • The interior exile: the traumatic experience of displacement

    • "He's a real nowhere man": Migration, nostalgia, and double exile in Vladimir Nabokov's Praia

      Juan Ignacio Guijarro González

      • Resumen

      págs. 157-168

      

    • Creating an identity by means of culture: Stuart Dybek's Short Stories

      Santiago Rodríguez Guerrero-Strachan

      • Resumen

      págs. 169-176

      

    • Alienation and marginality in Saul Bellow's Early Novels

      Gustavo Sánchez Canales

      • Resumen

      págs. 177-188

      

  • Immigrant foundational literature

    • Immigrants and Social Theatre in the United States

      Russell Dinapoli

      • Resumen

      págs. 191-199

      

    • Engendering Immigration in Chicano/a Fiction: patriarchal foundational narratives and women's search for self-knowledge

      María Herrera-Sobek

      • Resumen

      págs. 201-211

      

    • Immigration and Diaspora: voices from overseas chinese communitie

      Sai-Kin Lee Tsang

      • Resumen

      págs. 213-220

      

  • Toward a postmodern concept of identity

    • The postmodern self of Julia Alvarez's KV: Identity, memory and community

      Ellen McCracken

      • Resumen

      págs. 223-228

      

    • Revisiting the borderlands. A critical reading of Gloria Anzaldoa's Borderlands/La Frontera: towards a New Mestiza

      Juan Antonio Perles Rochel

      • Resumen

      págs. 229-235

      

    • Aztlan, Borderlands, Heterotopia

      Alejandro Morales

      • Resumen

      págs. 237-246

      

  • The many sites of identity

    • Bilingual blues, bilingual bliss: el caso Casey

      Gustavo Pérez Firmat

      • Resumen

      págs. 249-260

      

    • The roaming texts of border literature

      Francisco A. Lomeli

      • Resumen

      págs. 261-265

      

    • Geographies of Identity in Cuban American Narrative

      Antonia Domínguez Miguela

      • Resumen

      págs. 267-275

      

    • Homing the Stage in New U.S, Latina Theater

      Nancy Saporta Sternbach, Alberto Sandoval-Sánchez

      • Resumen

      págs. 277-288

      

  • How we are all immigrants in the American literature classroom

    • Richard Rodriguez's hunger of memory as a “Teacherly" Text; or how we are all immigrants in the American Literature Classroom

      Aitor Ibarrola Armendariz

      • Resumen

      págs. 291-305