Recorded places, experienced places: the holocene rock art of the Iberian Atlantic north-wes - Dialnet

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Recorded places, experienced places: the holocene rock art of the Iberian Atlantic north-wes

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Información General

Autores: Ana M. S. Bettencourt (coord.), Manuel Santos Estévez (coord.), Hugo Aluai Sampaio (coord.), Daniela Cardoso (coord.)
Editores: BAR Publishing
Año de publicación: 2017
País: Reino Unido
Idioma: inglés
ISBN: 978-1-4073-1484-6
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Otros catálogos

Red de Bibliotecas Universitarias (REBIUN)

Citas a capítulos: 11 Citas

Listado de artículos

- Part 1: Concepts and tools to study rock art
  - Contribution of the magical and religious geography to an anthropology of space. A case study in the north-west of Portugal
    Álvaro Campelo
    págs. 7-17
  - CVARN, Rock Art Virtual Corpus of North-Western Portugal: a multimedia tool to investigate and describe Post-Palaeolithic rock art
    Ana M. S. Bettencourt, Emilio Abad Vidal, Alda Rodrigues
    págs. 19-26
- Part 2: From sub-naturalistic to schematic rock art tradition
  - Abstract and sub-naturalistic prehistoric rock art in the Trás-os-Montes and Alto Douro region of Portugal: the case study of the Passadeiro rock shelter - Palaçoulo (Miranda do Douro)
    Maria de Jesus Sanches, Joana de Castro Teixeira
    págs. 29-37
  - The Lamelas rock art site as a fundamental contributor to the knowledge of post-glacier art in north-western Iberia
    Maria de Jesus Sanches, Nuno Coelho Gomes
    págs. 39-47
  - Rock art of the upper Támega Valley (Galicia, Spain)
    Beatriz Comendador Rey, Félix González Insua
    págs. 49-62
  - Rock art places and contexts at Gralheira Massif ( central north-west Portugal): a general overview
    António Manuel S. P. Silva, Joana N. Leite, Paulo A.P. Lemos, Manuel Valério Figueiredo
    págs. 63-76
- Part 3: Atlantic tradition rock art
  - Galician petroglyphs: distribution patterns in the province of A Coruña (north-west Spain)
    Alia Vázquez Martínez, Carlos Rodríguez Rellán, Ramón Fábregas Valcarce
    págs. 79-85
  - The rock engravings of Cova da Bruxa (Galicia, north-west Iberia). A place of reiterated hunting scenes
    Josefa Rey Castiñeira, Manuel Antonio Franco Fernández, Jorge Juan Eiroa García
    págs. 87-97
  - The Atlantic rock art of Monte Eiró (Penhalonga, Marco de Canaveses , north-west Portugal). New background to its contextualisation
    Luís Sousa
    págs. 99-107
  - Respecting the ancestors? lron Age life and 4th/3rd millennia BCE rock arl within the hillfort of Briteiros (north-west Portugal)
    Daniela Cardoso, Ana M. S. Bettencourt, George Nash
    págs. 109-119
- Part 4: Other styles
  - Post-Palaeolithic rock art of north-western Portugal: an approach
    Ana M. S. Bettencourt
    págs. 123-150
  - Shape and meaning: engraved weapons as materialisatíons of the Caicolithic/Early Bronze Age cosmogony in north-west Iberia
    Manuel Santos Estévez, Ana M. S. Bettencourt, Hugo Aluai Sampaio, Cláudio Brochado, Gonçalo Ferreira
    págs. 151-166
  - Where do the horses run? A dialogue between signs and matter in the rock carvings of Fornelos (Viana do Castelo, north-west Portugal)
    Ana M. S. Bettencourt, Isabel S. Silva, M. Isabel C. Alves, Pedro P. Simões, Manuel Santos Estévez
    págs. 167-177
  - Pena Furada sanctuary: astronomical and ritual archaeological aspects (Coirós, A Corunha, Galiza)
    Antón Fernández Malde
    págs. 179-191
  - Boats carved on the Atlantic coast of the Iberian peninsula. Landscape, symbols and people
    Gabriel R. Pereira, Ana Margarida Arruda
    págs. 193-207

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