International Computer Music Conference 1997. Proceedings: Thessaloniki, Hellas. 25-30 september 1997 - Dialnet

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International Computer Music Conference 1997. Proceedings: Thessaloniki, Hellas. 25-30 september 1997

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Información General

Editores: The International Computer Music Association
Año de publicación: 1997
País: Estados Unidos
Idioma: inglés
Recoge los contenidos presentados a: International Computer Music Conference (2. 1997. Thessaloniki).
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Listado de artículos

- Music and emotion: the brain neglected side
  Bernard Bouchard, Isabelle Peretz, Lise Gagnon
  págs. 1-2
- Psychophysiology of musical emotions
  Carol L. Krumhansl
  págs. 3-6
- Rhythmic paradoxes and illusions: a musical illustration
  Jean-Claude Risset
  págs. 7-10
- Preliminary results on spectral shape perception and discrimination of musical sounds by normal hearing subjects and cochlear implantees
  Thomas Stanisby, Hugh J. McDermott, Colette M. McKay, Graeme M. Clark
  págs. 11-14
- Modeling piano performance: physics and cognition of a virtual pianist
  Richard Parncutt
  págs. 15-18
- Perception and critique: ecological acoustics, critical theory and music
  Eric Clarke
  págs. 19-22
- A neuronal network model of metric perception and cognition in the audition of functional tonal music
  Jonathan Berger, Dan Gang
  págs. 23-26
- Harmonizing melodies in real-time: the connectionist approach
  Naftali Wagner, Dan Gang, Daniel Lehmann
  págs. 27-30
- Influence of phase effects on roughness modeling
  Daniel Pressnitzer, Stephen McAdams
  págs. 31-34
- Sinusoidal and residual decomposition and residual modeling of musical tones using the Quasar Signal model
  Xiaoshu Qian, Yinong Ding
  págs. 35-42
- Statistical modeling of sound aperiodicities
  Xavier Rodet, Shlomo Dubnov
  págs. 43-50
- Analysis and regularization of inharmonic sounds via Pitch-Synchronous frequency warped wavelets
  Sergio Cavaliere, Gianpaolo Evangelista
  págs. 51-54
- About this phasiness business
  Mark Dolson, Jean Laroche
  págs. 55-58
- On acoustic ecology and "integral art"
  Thomas Gerwin
  págs. 59-61
- Towards a critical theory of (music) technology: computer music and subversive rationalization
  Agostino Di Scipio
  págs. 62-65
- Impact of MIDI on electroacoustic art music
  Alex Lane Igoudin
  págs. 66-69
- Computer music compositional style variation between genders
  Karen Eliot-Kahn
  págs. 70-74
- http//web.la.radia: comments on the social, economic, and political aspects of media art and art technology
  Stephen Pope
  págs. 74-77
- Music, media and technology at McGill University: studio report
  Bruce Pennycook
  págs. 78-81
- The current state of the international digital electroacoustic music archive (IDEAMA)
  Thomas Gerwin
  págs. 82-82
- DIEM. The Danish Institute of electroacoustic music: studio report
  Wayne Siegel
  págs. 83-85
- Studio report of the computer music lab of CNUCE/C: N:R
  Leonello Tarabella
  págs. 86-88
- Computer music in China: history, current situation and projects
  Zou Qingyi, Xu Wenxue, Gong Zhenxiong
  págs. 89-92
- The downloadable sounds level 1 specification
  James Wright, Todor Fay, Thomas White, Daniel Petkevich
  págs. 93-96
- A novel representation for rhythmic structure
  Vijay Iyer, Matthew Wright, David Wessel, Jeff Bilmes
  págs. 97-100
- Opensound control: a new protocol for communicating with sound synthesizers
  Matthew Wright, Adrian Freed
  págs. 101-104
- Multimedia environment for sound database system
  Shuji Hashimoto, Hai Qi, Taichi Muramatsu
  págs. 105-108
- Composition of data and process models: a paralogical approach to human/computer interaction
  Michael Hamman
  págs. 109-112
- Analysis-by-synthesis of the expressive intentions of music performance
  Giovanni de Poli, Alvise Vidolin, Sergio Canazza, Antonio Roda
  págs. 113-120
- A structural analysis tool for expressive performance
  Seiji Inokuchi, Yuichi Uwabu, Haruhiro Katayose
  págs. 121-124
- Classification in music: a computational model for paradigmatic analysis
  Christina Anagnostopoulou, Gert Westermann
  págs. 125-128
- Neutral net architectures in modeling compositional syntax: prediction and perception of continuity in minimalist works by Phillip Glass & Louis Andriessen
  Yayoi Uno, Michael C. Mozer
  págs. 129-132
- Two highly integrated real-time music and graphics performance systems
  Eric L. Singer, Robert Rowe
  págs. 133-140
- A gesture interface controlled by the oral cavity
  Nicola Orio
  págs. 141-144
- Statistical pattern recognition for prediction of solo piano performance
  Chris Chafe
  págs. 145-148
- The Beast's Glove: the tactile and the digital in computer music
  Dominique Richard
  págs. 149-151
- Integrating complementary spectral models in the design of musical synthesizer
  Jordi Bonada, Xavier Serra Casals, Ramón Loureiro, Perfecto Herrera
  págs. 152-159
- Modeling methods for sound synthesis: network combinations and complex models for physical modeling. Applications to modes clustering
  Eric Incerti
  págs. 160-163
- Transient modeling synthesis: a flexible analysis/synthesis tool for transient signals
  Tony S. Verma, Teresa H.Y. Meng, Scott N. Levine
  págs. 164-167
- Singing voice analysis and synthesis system through Glottal excited formant resonators
  Andrea Paladin, Piero Pierucci
  págs. 168-171
- Physical model of the plucking process in the classical guitar
  Vincenzo Lombardo, Giuseppe Cuzzucoli
  págs. 172-179
- Comparison of real trumpet playing, latex model of lips and computer model
  Xavier Rodet, Christophe Vergez
  págs. 180-187
- Synthesis of transients in guitar sounds
  Cem I. Duruoz
  págs. 188-191
- On searching the model parameters of digital waveguide filters by using error backpropagation methods
  Alvin W. Y. Su
  págs. 192-195
- Digital waveguide modeling of flared acoustic tubes
  Vesa Valimaki, Maarten van Walstijn
  págs. 196-199
- Efficient and parametric reverberator for room acoustics modeling
  Jyri Huopaniemi, Vesa Valimaki, Matti Karjalainen, Riitta Vaananen
  págs. 200-203
- An HTTP interface to common music
  Tobias Kunze, Heinrich Taube
  págs. 204-207
- Siren: software for music composition and performance in squeak
  Stephen Pope
  págs. 208-210
- A visual programming environment for composing interactive performance systems
  Bernhard Wagner
  págs. 211-214
- The new MARS workstation
  Paolo Andrenacci, Claudio Rosati, Andrea Paladin, Fabio Armani, Renato Bessegato, Patrizio Pisani, Angelo Prestigiacomo
  págs. 215-219
- Real-time image and video processing in GEM
  Mark Danks
  págs. 220-223
- Pure data
  Miller S. Puckette
  págs. 224-227
- Introduction of computer music studio of sonology department Kunitachi College of music
  Yoshiko Ando, Takayuki Rai
  págs. 228-229
- Center for new music and audio technologies (CNMAT): studio report
  Richard Andrews
  págs. 230-232
- Studio F at the Czech Radio in Prague: studio report
  págs. 233-235
- Efficient models for reverberation and distance rendering in computer music and virtual audio reality
  Jean-Marc Jot
  págs. 236-243
- Multirate extensions for model-based synthesis of plucked strings instruments
  Tero Tolonen, Vesa Valimaki
  págs. 244-247
- Coupled mode synthesis
  Scott A. van Duyne
  págs. 248-251
- A lossless, click-free, pithcbend-able delay line loop interpolation scheme
  David A. Jaffe, Scott A. van Duyne, Gregory Pat Scandalis, Timothy S. Stilson
  págs. 252-255
- A fractional delay application: time-varying propagation speed in waveguides
  R. Msallam, Stephan Tassart, Philippe Depalle, S. Dequidt
  págs. 256-259
- Digital waveguide modeling of woodwind toneholes
  Gary Scavone, Julius O. Smith III
  págs. 260-263
- Nonlinear commuted synthesis of bowed strings
  Julius O. Smith III
  págs. 264-267
- DSP- for children
  Joran Rudi
  págs. 268-270
- Sample rate synchronization across an ATM network
  George M. Robertson, Derek McAuley
  págs. 271-274
- Using Java to stream audio over ATM
  Stephen Malloch, Torsten Pflicke, Stephen Arnold
  págs. 275-278
- Distributed music rehearsal
  Yann Orlarey, Dimitri Konstantas, Olivier Carbonel, Simon Gibbs
  págs. 279-282
- TransMIDI: a system for MIDI sessions over the network using transis
  Tomas Winkler, Gregory V. Chockler, Dan Gang, Tal Anker, Alex Kremer
  págs. 283-286
- CCRMa studio report
  Fernando López Lezcano
  págs. 287-289
- CCM2- College-Conservatory of Music Center for computer music, University of Cincinnati
  Cheekong Ho, Michael Barnhart, Bonnie Miksch, Carlos Fernades, Mara Helmuth
  págs. 290-292
- Studio report of computer music research group
  Keiji Hirata, Takafumi Hikichi, Naotoshi Osaka
  págs. 293-296
- Psyche: University of Tsukuba, Computer music project
  Rumi Hiraga, Shigeru Igarashi
  págs. 297-300
- A stochastic method of tracking a vocal performer
  Lorin Grubb, Roger B. Dannenberg
  págs. 301-308
- Sounds in hands: a sound modfier using datagloves and twiddle interface
  Naouyki Onoe, Shuji Hashimoto, Hideyuki Sawada
  págs. 309-312
- The digital baton: a versatile performance instrument
  Teresa Marrin, Joseph Paradiso
  págs. 313-316
- The interactive multi-media computer system using SGI and NeXT/ISPW computers
  Osamu Takashiro, Takayuki Rai
  págs. 317-320
- Feel the music: narration in touch and sound
  Maura Sile O'Modhrain
  págs. 321-324
- NeXTSTEP graphical interfaces to control sound processing and spatialization instruments
  Todor Todoroff, Caroline Traube, Jean-Marc Ledent
  págs. 325-328
- SaxEx: a case-based reasoning system for generating expressive performances
  Ramón López de Mántaras, Xavier Serra Casals, Josep Lluis Arcos
  págs. 329-336
- Robust score-performance matching: taking advantage of structural information
  Henkjan Honing, Peter Desain, Hank Heijink
  págs. 337-340
- Recognition of isolated musical patterns in the context of Greek Traditional music using dynamic time warping techniques
  Sergios Theordoridis, Dimitris Kamarotos, Aggelos Pikrakis
  págs. 341-343
- A machine learning approach to musical style recognition
  David Watson, Roger B. Dannenberg, Belinda Thom
  págs. 344-347
- Modelling chinese musical instruments in Csound
  Andrew Horner, Lydia Ayers
  págs. 348-349
- A physical piano model for music performance
  Gianpaolo Borin, Davide Rocchesso, Francesco Scalcon
  págs. 350-353
- Flexible sound effects
  Lonce Wyse
  págs. 354-355
- Recent work around modalys and modal synthesis
  Francisco Iovino, Rene Causse, Richard Dudas
  págs. 356-359
- A web interface for a sound database and processing system
  Xavier Serra Casals, Ramón Loureiro
  págs. 360-363
- An object oriented visual environment for musical composition
  Peter Hanappe, Gérard Assayag, Carlos augusto Agon Amado, Joshua Fineberg
  págs. 364-367
- Evolutionary based algorithmic composition: a demonstration of recent developments in GeNotator
  Kurt Thywisen
  págs. 368-371
- Integrated development environment for computer music composition
  Jon Drummond
  págs. 372-374
- A continuous music keyboard controlling polyphonic morphing using bandwidth-enhanced oscillators
  Patrick Wolfe, Paul Christensen, Kelly Fitz, Ed Tellman, Lippold Haken
  págs. 375-378
- A survey of agents based real-time interactive systems
  Peter Beyls
  págs. 379-382
- CyberBand: a "hands-on" music composition program
  Don Pazel, James Wright, David Jameson, Robert M. Fuhrer, Daniel V. Oppenheim
  págs. 383-386
- New musical control structures from standard gestural controllers
  Matthew Wright, Adrian Freed, David Wessel
  págs. 387-390
- Elody: a Java-Midishare based music compostion environment
  Stephane Letz, Yann Orlarey, Dominique Fober
  págs. 391-394
- The 1997 Mathews' radio Baton and improvisation modes
  Richard Boulanger, Max Mathews
  págs. 395-398
- RTcmix-Using XMIX in real time
  Brad Garton, Dave Topper
  págs. 399-402
- VIDI-A voice instrument digital interface of Byzantine music
  Ioannis A. Tosukalas, Dionysios V. Politis, Panagiotis Linardis, Alexandros Bakalakos
  págs. 403-407
- Wavetable acceleration using intermediate buffering and loop trimming
  Steven D. Trautmann
  págs. 408-409
- Synthesis of the trumpet tone based on physical models
  Riccardo Di Federico, Gianpaolo Borin
  págs. 410-413
- Influence of sensory interactions between vision and audition on the perceptual characterization of room acoustics
  Catherine Lavandier, Olivier Warusfel, Jean-Dominique Polack, Crysanthy Nathanael
  págs. 414-417
- The diphone program: new features, new synthesis methods and experience of musical use
  Xavier Rodet, Adrien Lefevre
  págs. 418-421
- Generating musical patterns using mutually inhibited artificial neurons
  Pauli Laine
  págs. 422-425
- Structural recognition of music by pattern matching
  Yuzuru Hiraga
  págs. 426-429
- A neural organis improvising baroque-style melodic variations
  Dominik Hornel, Peter Degenhardt
  págs. 430-433
- A new connectionist model for associative retrieval of harmonic tunes
  Seong-Won Yeo, Chong-Ho Lee, Min-Uk Han
  págs. 434-437
- Influence of timbre, presence/absence of tonal hierarchy and musical training on the perception of musical tension and relaxation schemas
  Stephen McAdams, Stella Paraskeva
  págs. 438-441
- Musical informatics: curriculum or a new area of musicology?
  Yuri Bekhtin
  págs. 442-445
- RMCP: remote music control protocol-Design and applications
  Masataka Goto, Ryo Neyama, Yoichi Muraoka
  págs. 446-449
- Networking music education: WWW applications in music teacher training: a praxial perspective
  Lauri Vakeva, Juha Ojala
  págs. 450-453
- Physical modeling simulation of the ancient Greek Elgin Avloi
  Perry R. Cook, Stelios Psaroudakes, Thanassis Rikakis, Katerina Tzedaki, Dimitris Kamarotos, Kostas Tsaxalinas
  págs. 454-457
- High-frequency compensation of low sample-rate audio files: a wavelet-based spectral excitation algorithm
  Corey I. Cheng
  págs. 458-461
- Applying root-locus techniques to the analysis of coupled-modes in piano strings
  Timothy S. Stilson
  págs. 462-464
- A modal distribution study of violin vibrato
  Mauren Mellody, Gregory Wakefield
  págs. 465-468
- A frecuency-dependent bilinear time-frequency distribution for improved event detection
  Gregory Wakefield, Andrew Sterian
  págs. 469-472
- The metabone: an interactive sensory control mechanism for virtuoso trombone
  Marc Alexander Bromwich
  págs. 473-475
- A toolkit for interactive digital art
  Seiji Inokuchi, Hirotsugu Shirakabe, Tsutomu Kanamori, Haruhiro Katayose
  págs. 476-478
- Operating systems latency measurement and analysis for sound synthesis and processing applications
  Brian Davila, Amar Chaudhary, Adrian Freed
  págs. 479-481
- A realtime MIDI library for an inexpensive general-purpose microcontroller-based interactive performance system
  Colby N. Leider
  págs. 482-484
- Rhythmic rendering
  Eric Lyon
  págs. 485-486

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