Music and emotion: the brain neglected side
págs. 1-2
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Rhythmic paradoxes and illusions: a musical illustration
págs. 7-10
págs. 11-14
Modeling piano performance: physics and cognition of a virtual pianist
págs. 15-18
Perception and critique: ecological acoustics, critical theory and music
págs. 19-22
págs. 23-26
Harmonizing melodies in real-time: the connectionist approach
págs. 27-30
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Towards a critical theory of (music) technology: computer music and subversive rationalization
págs. 62-65
págs. 66-69
págs. 70-74
http//web.la.radia: comments on the social, economic, and political aspects of media art and art technology
págs. 74-77
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págs. 86-88
Computer music in China: history, current situation and projects
págs. 89-92
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págs. 97-100
Opensound control: a new protocol for communicating with sound synthesizers
págs. 101-104
págs. 105-108
Composition of data and process models: a paralogical approach to human/computer interaction
págs. 109-112
Analysis-by-synthesis of the expressive intentions of music performance
Giovanni de Poli, Alvise Vidolin, Sergio Canazza, Antonio Roda
págs. 113-120
págs. 121-124
Classification in music: a computational model for paradigmatic analysis
págs. 125-128
Neutral net architectures in modeling compositional syntax: prediction and perception of continuity in minimalist works by Phillip Glass & Louis Andriessen
págs. 129-132
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págs. 145-148
The Beast's Glove: the tactile and the digital in computer music
págs. 149-151
Integrating complementary spectral models in the design of musical synthesizer
Jordi Bonada, Xavier Serra Casals, Ramón Loureiro, Perfecto Herrera
págs. 152-159
Modeling methods for sound synthesis: network combinations and complex models for physical modeling. Applications to modes clustering
págs. 160-163
Transient modeling synthesis: a flexible analysis/synthesis tool for transient signals
págs. 164-167
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págs. 196-199
Efficient and parametric reverberator for room acoustics modeling
Jyri Huopaniemi, Vesa Valimaki, Matti Karjalainen, Riitta Vaananen
págs. 200-203
págs. 204-207
Siren: software for music composition and performance in squeak
págs. 208-210
págs. 211-214
Paolo Andrenacci, Claudio Rosati, Andrea Paladin, Fabio Armani, Renato Bessegato, Patrizio Pisani, Angelo Prestigiacomo
págs. 215-219
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págs. 230-232
Studio F at the Czech Radio in Prague: studio report
págs. 233-235
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págs. 248-251
A lossless, click-free, pithcbend-able delay line loop interpolation scheme
David A. Jaffe, Scott A. van Duyne, Gregory Pat Scandalis, Timothy S. Stilson
págs. 252-255
A fractional delay application: time-varying propagation speed in waveguides
págs. 256-259
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págs. 279-282
TransMIDI: a system for MIDI sessions over the network using transis
Tomas Winkler, Gregory V. Chockler, Dan Gang, Tal Anker, Alex Kremer
págs. 283-286
págs. 287-289
CCM2- College-Conservatory of Music Center for computer music, University of Cincinnati
Cheekong Ho, Michael Barnhart, Bonnie Miksch, Carlos Fernades, Mara Helmuth
págs. 290-292
págs. 293-296
Psyche: University of Tsukuba, Computer music project
págs. 297-300
págs. 301-308
Sounds in hands: a sound modfier using datagloves and twiddle interface
págs. 309-312
The digital baton: a versatile performance instrument
págs. 313-316
págs. 317-320
Feel the music: narration in touch and sound
págs. 321-324
págs. 325-328
SaxEx: a case-based reasoning system for generating expressive performances
Ramón López de Mántaras, Xavier Serra Casals, Josep Lluis Arcos
págs. 329-336
Robust score-performance matching: taking advantage of structural information
págs. 337-340
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An object oriented visual environment for musical composition
Peter Hanappe, Gérard Assayag, Carlos augusto Agon Amado, Joshua Fineberg
págs. 364-367
Evolutionary based algorithmic composition: a demonstration of recent developments in GeNotator
págs. 368-371
págs. 372-374
A continuous music keyboard controlling polyphonic morphing using bandwidth-enhanced oscillators
Patrick Wolfe, Paul Christensen, Kelly Fitz, Ed Tellman, Lippold Haken
págs. 375-378
págs. 379-382
CyberBand: a "hands-on" music composition program
Don Pazel, James Wright, David Jameson, Robert M. Fuhrer, Daniel V. Oppenheim
págs. 383-386
págs. 387-390
Elody: a Java-Midishare based music compostion environment
págs. 391-394
págs. 395-398
págs. 399-402
VIDI-A voice instrument digital interface of Byzantine music
Ioannis A. Tosukalas, Dionysios V. Politis, Panagiotis Linardis, Alexandros Bakalakos
págs. 403-407
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págs. 414-417
The diphone program: new features, new synthesis methods and experience of musical use
págs. 418-421
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Musical informatics: curriculum or a new area of musicology?
págs. 442-445
RMCP: remote music control protocol-Design and applications
págs. 446-449
Networking music education: WWW applications in music teacher training: a praxial perspective
págs. 450-453
Physical modeling simulation of the ancient Greek Elgin Avloi
Perry R. Cook, Stelios Psaroudakes, Thanassis Rikakis, Katerina Tzedaki, Dimitris Kamarotos, Kostas Tsaxalinas
págs. 454-457
High-frequency compensation of low sample-rate audio files: a wavelet-based spectral excitation algorithm
págs. 458-461
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págs. 469-472
The metabone: an interactive sensory control mechanism for virtuoso trombone
págs. 473-475
A toolkit for interactive digital art
Seiji Inokuchi, Hirotsugu Shirakabe, Tsutomu Kanamori, Haruhiro Katayose
págs. 476-478
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