Información General

• Autores: Elena Oliete Aldea (coord.), Beatriz Oria Gómez (coord.), Juan A. Tarancón de Francisco (coord.)
• Editores: Bloomsbury Academic
• Año de publicación: 2016
• País: Estados Unidos
• Idioma: inglés
• ISBN: 978-1-5013-0298-5
• Texto completo no disponible (Saber más ...)

Reseñas

• Ha sido reseñado en:

  • Elena Oliete-Aldea, Beatriz Oria and Juan A. Tarancón, eds. 2016. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema. London: Bloomsbury. 270 pp. ISBN: 978-15-013029-8-5

    Paul Mitchell (res.)

    Atlantis: Revista de la Asociación Española de Estudios Anglo-Norteamericanos, ISSN 0210-6124, Vol. 39, Nº 1, 2017, págs. 267-272

Otros catálogos

• Red de Bibliotecas Universitarias (REBIUN)

Listado de artículos

• • Rethinking Spanishness: The Soft Edges of Early Cinema

    • The Tuneful 1930s: Spanish Musicals in a Global Context

      Valeria Camporesi

      págs. 19-30

      

    • Historical Films During the First Years of the Franco Regime and their Transnational Models

      Vicente José Benet Ferrando

      págs. 31-42

      

    • Realism, Social Conflict, and the Rise of Crime Cinema in Francoist Spain

      Juan A. Tarancón de Francisco

      págs. 43-60

      

    • Luis Lucia's Lola la piconera (1951): Hybridity, Politics, Entertainment

      Federico Bonaddio

      págs. 61-70

      

    • Nothing Ever Happens: Juan Antonio Bardem and the Resignification of Hollywood Melodrama (1954-63)

      Daniel Mourenza Urbina

      págs. 71-85

      

  • Broadening Perspectives: Crossing Borders, Crossing Genres

    • Carlos Saura's Stress es tres, tres (1968): A New Spanish Cinema with French and American Influences?

      Arnaud Duprat de Montero

      págs. 89-102

      

    • Violence, Style and Politics: The Influence of the Giallo in Spanish Cinema of the 1970s

      Andy Willis

      págs. 103-114

      

    • Spanish Gothic Cinema: The Hidden Continuities of a Hidden Genre

      Ann Davies

      págs. 115-126

      

    • Reframing Empire: Mediating Encounters and Resistance in SpanishTransatlantic Cinema since 1992

      Noelia V. Saenz

      págs. 127-140

      

    • The Transnational Dimension of Contemporary Spanish Road Movies

      Carmen Induráin Eraso

      págs. 141-156

      

    • Rural Spain as a Transnational Space for Reflection in Icíar Bollaín's Flores de otro mundo (1999)

      Chantal Cornut-Gentille D'Arcy

      págs. 157-170

      

  • Appropriating the Global: Self-Conscious Transnationalism

    • Isn't it Bromantic? New Directions in Contemporary Spanish Comedy

      Beatriz Oria Gómez

      págs. 173-186

      

    • Malamadres and Bertomeus: Transnational Crime Film and Television

      Luis Miguel García Mainar

      págs. 187-198

      

    • Local Responses to Universal Sufferings in Isabel Coixet's Transnational Melodramas

      Hilaria Loyo Gómez

      págs. 199-214

      

    • Transnational Contours and Representation Models in Recent Films about Immigration in Spain

      Alberto Elena Díaz, Ana Martín Morán

      págs. 215-230

      

    • Transnational Identities in Galician Documentary Film: Alberte Pagán's Bs. As. and Xurxo Chirro's Vikingland

      Xosé Iván Villarmea Álvarez

      págs. 231-246

      

    • (In)Visible Co-Productions, Spanish Cinema, the Market and the Media

      Vicente Rodríguez Ortega

      págs. 247-260