págs. 13-30
Una aproximación de culturas: nuevos códigos para la expresión escrita de las lenguas indias canadienses
págs. 31-46
Representations of the North: space, presence and power in Anglo-Canadian writing
págs. 47-59
Fifteen women in a kitchen: realism and hyperrealism in Michel Tremblay's "Les belles soeurs"
págs. 191-196
págs. 197-202
págs. 203-208
Silenced memories: the reconstruction of her-story and the shaping of identity en Sky Lee's "Disappearing Moon Cafe"
págs. 209-215
págs. 61-66
"The bond holds": the mother-daughter relationship in Margaret Laurence's "A jest of God" and Margaret Atwood's "Lady Oracle"
págs. 67-72
Carol Shield's "Mary Swann": intrigue and invention in academia
págs. 73-80
No journeying backward: visions of culture in two Canadian short stories
págs. 81-86
"Momotaro is a Canadian story": myths of childhood in Joy Kogawa's "Obasan"
págs. 87-94
Phonemic loss in early American English: notes on the origins and the implementation of the Canadian low back merger
págs. 95-102
págs. 103-110
Establishing validity in minority language education: does the Canadian bilingual education cope with aboriginal's needs?
págs. 111-116
Multiculturalism Revisited: Canadian Literary Deconstructions
págs. 117-126
Voix d'Ailleurs: ecrivains néo-québécois des années 1990
págs. 127-132
Short story time: the case of simultaneous destinies in "The progress of love" by Alice Munro
págs. 133-140
págs. 141-148
Highbrows, mountain brows: English language writing in Quebec
págs. 149-156
págs. 157-164
págs. 165-170
Stein-ways: Karen Mac Cormack's "Marine snow"
págs. 171-176
Challenging the reader: an analysis of Atwood's creative technique
págs. 177-184
Laughter with knives: nineteenth-century roots of Canadian satiric fiction
págs. 185-190
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