Spanish Studies in Shakespeare and His Contemporaries" offers a selection of the most significant studies on Shakespeare and his contemporaries from a variety of perspectives in order to present a fresh and inclusive vision of Shakespearean criticism in Spain to reach a worldwide readership. Plurality, maturity, and diversity are its outstanding characteristics as the transition has given shape to new critical attitudes, readings, and approaches in the analysis and study of Shakespeare in the new Spain.
The collection is mainly concerned with the exploration of the process of Shakespeare's reception and acculturation in Spain, with textual and comparative studies between Shakespeare and his Spanish contemporaries, with a rhetorical and linguistic analysis of the Shakespearean corpus, and with gender and race studies in accordance with the mainstream of international Shakespearean criticism. It shows how a new generation of young and well-established scholars have brought about a deeper interpretation of Shakespeare and his contemporaries, reaching remarkable standards of scholarship and redeeming the possibly unavoidable critical gaps of Shakespearean criticism in the past
págs. 7-16
Manuel Herrera on Shakespeare: a new Spanish manuscript from the romantic period
págs. 21-42
Editing (and revering) national authors: Shakespeare and Cervantes
págs. 43-57
Rewriting/deconstructing Shakespeare: outlining possibilities, sometimes humorous, for sonnet 18
págs. 61-72
págs. 73-88
págs. 89-113
Deforeignizing Shakespeare: "Otelo" in romantic Spain
págs. 117-129
págs. 130-147
págs. 148-170
Cleopatra's role-taking: a study of "Antony and Cleopatra"
págs. 171-195
Shakespeare's "Henry V": person and persona
págs. 196-204
págs. 205-216
págs. 219-233
Changing roles: gender marking through syntactic distribution in the Jacobean theater
págs. 234-249
págs. 250-261
págs. 262-298
"The Duchess of Malfi" and "El mayordomo de la duquesa de Amalfi" revisited: some differences in literary convention and cultural horizon
págs. 299-310
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