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Transhumanism and Posthumanism in Twenty-First Century Narrative brings together fifteen scholars from five different countries to explore the different ways in which the posthuman has been addressed in contemporary culture and more specifically in key narratives, written in the second decade of the 21st century, by Dave Eggers, William Gibson, John Shirley, Tom McCarthy, Jeff Vandermeer, Don DeLillo, Margaret Atwood, Cixin Liu and Helen Marshall. Some of these works engage in the premises and perils of transhumanism, while others explore the qualities of the (post)human in a variety of dystopian futures marked by the planetary influence of human action. From a critical posthumanist perspective that questions anthropocentrism, human exceptionalism and the centrality of the ‘human’ subject in the era of the Anthropocene, the scholars in this collection analyse the aesthetic choices these authors make to depict the posthuman and its aftereffects.
(Trans/Post) Humanity and Representation in the Fourth Industrial Revolution and the Anthropocene:: An Introduction.
págs. 1-19
págs. 23-35
From Utilitarianism to Transhumanism:: A Critical Approach.
págs. 36-50
págs. 51-67
Vigilance to Wonder:: Human Enhancement in TED Talks.
págs. 71-84
págs. 85-99
Subjects of the ‘Modem’ World:: Writing U. in Tom McCarthy’s Satin Island.
págs. 100-115
The Paradoxical Anti-Humanism of Tom McCarthy’s C:: Traumatic Secrets and the Waning of Affects in the Technological Society.
págs. 119-134
Don DeLillo’s Zero K (2016):: Transhumanism, Trauma, and the Ethics of Premature Cryopreservation.
págs. 135-150
A Dystopian Vision of Transhuman Enhancement:: Speciesist and Political Issues Intersecting Trauma and Disability in M. Night Shyamalan’s Split.
págs. 151-169
The Call of Anthropocene:: Resituating the Human through Trans- & Posthumanism; Notes of Otherness in Works of Jeff Vandermeer and Cixin Liu.
págs. 173-189
"Am I a person?": Biotech Animals and Posthumanist Empathy in Jeff Vandermeer’s Borne.
págs. 190-205
Posthuman Cure:: Biological and Cultural Motherhood in Margaret Atwood’s MaddAddam.
págs. 206-221
págs. 222-235
Conclusion:: Towards a Post-Pandemic, (Post)Human World.
págs. 236-239
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