With a Foreword by Vijay Prashad and an Afterword by Gary Okihiro How might we understand yellowface performances by African Americans in 1930s swing adaptations of Gilbert and Sullivan's The Mikado, Paul Robeson's support of Asian and Asian American struggles, or the absorption of hip hop by Asian American youth culture? AfroAsian Encounters is the first anthology to look at the mutual influence of and relationships between members of the African and Asian diasporas. While these two groups have often been thought of as occupying incommensurate, if not opposing, cultural and political positions, scholars from history, literature, media, and the visual arts here trace their interconnections and interactions, as well as the tensions between the two groups that sometimes arise. AfroAsian Encounters probes beyond popular culture to trace the historical lineage of these coalitions from the late nineteenth century to the present. A foreword by Vijay Prashad sets the volume in the context of the Bandung conference half a century ago, and an afterword by Gary Okihiro charts the contours of a "Black Pacific." From the history of Japanese jazz composers to the current popularity of black/Asian "buddy films" like Rush Hour, AfroAsian Encounters is a groundbreaking intervention into studies of race and ethnicity and a crucial look at the shifting meaning of race in the twenty-first century.
Introduction: AfroAsian Encounters Culture, History, Politics
págs. 1-14
“A Race So Different from Our Own”: Segregation, Exclusion, and the Myth of Mobility
págs. 17-33
Crossings in Prose: Jade Snow Wong and the Demand for a New Kind of Expert
págs. 34-49
Complicating Racial Binaries: Asian Canadians and African Canadians as Visible Minorities
págs. 50-67
One People, One Nation?: Creolization and Its Tensions in Trinidadian and Guyanese Fiction
págs. 68-85
Black-and-Tan Fantasies: Interracial Contact between Blacks and South Asians in Film
págs. 86-100
“It Takes Some Time to Learn the Right Words”: The Vietnam War in African American Novels
págs. 103-123
Chutney, Métissage, and Other Mixed Metaphors: Reading Indo Caribbean Art in Afro Caribbean Contexts
págs. 124-145
págs. 146-164
Racing American Modernity: Black Atlantic Negotiations of Asia and the “Swing” Mikados
págs. 167-187
Black Bodies/Yellow Masks: The Orientalist Aesthetic in Hip-Hop and Black Visual Culture
págs. 188-203
The Rush Hour of Black/Asian Coalitions?: Jackie Chan and Blackface Minstrelsy
págs. 204-222
Performing Postmodernist Passing: Nikki S. Lee, Tuff, and Ghost Dog in Yellowface/Blackface
págs. 223-242
Persisting Solidarities: Tracing the AfroAsian Thread in U.S. Literature and Culture
págs. 245-259
págs. 260-276
págs. 277-294
Kickin’ the White Man’s Ass: Black Power, Aesthetics, and the Asian Martial Arts
págs. 295-312
págs. 313-330
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