Brandi and the restoration of contemporary art. One side and the other the Teoria

• Verbeeck, Muriel ^[1] ; Magar Meurs, Valerie ^[2]
  1. [1] Ecole Supérieure des Arts Saint-Luc de Liège
  2. [2] ICCROM
• Localización: Conversaciones, ISSN-e 2395-9479, Nº. 7, 2019 (Ejemplar dedicado a: Conversaciones... con Cesare Brandi y Giulio Carlo Argan), págs. 211-226
• Idioma: inglés
• Enlaces
  • Texto completo
• Resumen

  • The theorization of contemporary art is often presented as a recent phenomenon, and refractory to the so-called “classical” approach, inspired by Brandi. This article shows that on the contrary, since Althöfer, Brandi 's theory has underpinned many exploratory approaches, and that a careful re-reading of entire parts of his work, often neglected, is able to inform the interventions of contemporary conservation