Ratio and the Divine Proportions: Le Corbusier and Rudolf Wittkower

• James Kirk Irwin ^[1]
  1. [1] University of London

     University of London

     Reino Unido

     
• Localización: Le Corbusier: 50 años después / Jorge Torres Cueco (aut.), 2016, ISBN 978-84-9048-373-2, págs. 1081-1092
• Idioma: español
• Enlaces
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• Resumen

  • This paper will evaluate Le Corbusier’s notion of ratio as expressed in his Modulor and Modulor 2. Particularemphasis will be placed on the dialogue (or polemical exchange) between Rudolf Wittkower and Le Corbusier containedwithin Modulor 2 concerning the nature of the Divine Proporzione. The historiography of this area of art and architectureincludes a vigorous debate from the mid-twentieth century among Modernist architects and art historians over the nature ofthe Divine Proportions. It is in this context that the dialogue between Le Corbusier and Wittkower occurs. Le Corbusierdescribes human form with a Fibonacci-based number system expressed through a universally applied system of measure, LeModulor. Wittkower describes a set of harmonic proportions, conceptually universal, that describe the essence ofRenaissance Architecture. Both influenced the course of Modern Architecture in the late twentieth-century.