Il tempo non lineare in "Esterno giorno – Val Rosandra" di Claudio Magris e in "La gita delle ragazze morte" di Anna Seghers

• Rita Svandrlik ^[1]
  1. [1] University of Florence

     University of Florence

     Firenze, Italia

     
• Localización: Firenze per Claudio Magris / Ernestina Pellegrini (ed. lit.), Federico Fastelli (ed. lit.), Diego Salvadori (ed. lit.), 2021, ISBN 978-88-5518-338-3, págs. 35-45
• Idioma: italiano
• Enlaces
  • Texto completo (pdf)
• Resumen

  • In Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the proposed analysis, the reason for the deprivation is identified as an element common to the two texts. In Seghers’ story, the temporal distance is cancelled out in a continuum, whereas Magris’ story operates through multiplication and fading between different typologies of texts: novel, screenplay, film, Goethe’s Faust, and short story