This paper offers an overall study of Tom Raworth (b. 1938), one of England's most attractive and, at the same time, neglected poets. After a lengthy introduction which makes reference to the hostility towards innovation inside the British poetry scene as well as to the modernist and postmodernist foundations of Raworth's art, both his poetry and prose —up to the publication of Tottering State (1984), his latest volume— are analysed with some care.
© 2001-2026 Fundación Dialnet · Todos los derechos reservados