Heterodoxia ideológica e hibridismo literario en Aullido de Licántropo de Carlos Álvarez

• José Manuel Blanco Mayor ^[1]
  1. [1] University of Rostock

     University of Rostock

     Kreisfreie Stadt Rostock, Alemania

     
• Localización: Hesperia: Anuario de filología hispánica, ISSN 1139-3181, Nº 23, 1, 2020, págs. 45-68
• Idioma: español
• Títulos paralelos:
  • Universität Rostock
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• Resumen

  • This paper focuses on some distinctive aspects of Carlos Álvarez’sAullido de Licántropo. After consi-dering the main literary precedents of the fictional representation of the werewolf, we will deal with the centralchallenge of this work, namely the function of the polyphony of narrative voices and of the discursive registersimplied in it. The aforementioned polyphony turns out to be a critique of the social and aesthetic conventions towhich theAullidosubtly alludes. We will approach the question form a methodologically eclectic perspective, inwhich prevails, though, Michail Bakhtin’s theory of dialogism