At the same time as Oscar Wilde was establishing himself as an aesthetic artist with his fairy tales, he set out to offer a new morality that exposed the dangers underlying an exclusively aesthetic stance. This article analyses the specific symbols and situations in "The Young King" through which the author presents the socio-ethical conflict between materialism and spirituality, art and Christianity that results in the hero's progressive consciousness of his moral guilt as an "aesthete" and of his true responsibility as a Christian and as a king.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados