Transitions of Genre in the Long Restoration Period: From Romance to Novel. Introduction
págs. 7-16
Literary Burden(s): Genre, Manuscript Culture and the Ethics of Non-Transmission in Hester Pulter’s The Unfortunate Florinda
págs. 17-37
The English Lovers (1661): John Dauncey’s Experimental Romance and Novelisation of Heywood’s The Fair Maid of the West
págs. 39-56
Madeleine de Scudéry’s Sappho and the Rise of the Novel in Early Modern England: Transnationalism, Catalogic Networks, and Intergeneric Nodes
págs. 57-78
“Libertine Humor”: Rakish Roguery and Bawdy Pranking in The London Bully
págs. 79-97
Recycling and Compilation Techniques in Francis Kirkman’s Psittacorum Regio (1669) and Richard Steere’s The Travels of Don Francisco de Quevedo (1684): Two Rewritings of Joseph Hall’s Mundus alter et idem (1605)
págs. 99-121
The French History of England: The Late Seventeenth-Century Historical Novel Across the Channel
págs. 123-140
págs. 141-159
Aestheticizing Empire: The Mapping of Colonial Ideology Across Behn’s Oroonoko and Defoe’s Robinson Crusoe
págs. 161-179
Female Subjects in Mustang and Ex Machina: Toward a Posthuman-Feminist Ethics of Care
págs. 181-200
Transhuman Fictions: From Polyphemus and Frankenstein to the Decodification of Bella Baxter in Poor Things
págs. 201-219
Narrating Nonhuman Suffering: Animal (Auto)biography and Interspecies Encounters in Ceridwen Dovey’s Only the Animals
págs. 221-239
Reinterpreting the House: Non-normative Objects and Meaning in Shirley Jackson’s We Have Always Lived in the Castle
págs. 241-258
Self-directed Learning in the Written Composition of Textual Genres via the Mobile Application RE-Write: An Analysis of its Impact on English Learners
págs. 259-300
English Medium Instruction and Affectivity in a Spanish Higher Education Institution: An Exploratory Study on Lecturers’ Attitudes, Feelings, and Self-Efficacy Beliefs
págs. 301-323
Neologisms as Persuasive Strategy in Bridal Magazines: A Lexical-Semantic Study
págs. 325-348




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