Street Art & Urban Creativity

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  Año 2022, Vol. 8, Número 2. Dedicado a: Liminal, state of in-betweenness

  • Articles

    • Editorial: About Liminal (state of in-betweenness)

      Pedro Soares Neves

      • Resumen
      • Texto completo

      págs. 1-7

      

    • The Graffiti Writer as Homo Sacer: Writing, Liminality, and Sovereign Power in the Neo-Liberal City

      Andrea Lorenzo Baldini

      • Resumen
      • Texto completo

      págs. 8-16

      

    • Anonymous Reflections of Art in Public Spaces; Examples From the World

      Ahmet Sadi Ardatürk

      • Resumen
      • Texto completo

      págs. 17-34

      

    • “Your wall cannot divide us”: Graffiti in Cyprus and insights into conflict-affected landscapes

      Billy Tusker Haworth, Eric Lepp, Catherine Arthur, Birte Vogel

      • Resumen
      • Texto completo

      págs. 35-49

      

    • Arİf Pasha Mansion from its first construction to the present

      Fatma Sedes

      • Resumen
      • Texto completo

      págs. 50-72

      

    • Arabic Calligraffiti: A Political Liminal Practice in Street Art's Visual Scene

      Hela Zahar

      • Resumen
      • Texto completo

      págs. 61-72

      

    • Evaluation of the creative performance of Constantine’s major urban planning steps

      Hosna Kermiche, Belkacem Labii, Rafik Boudjadja

      • Resumen
      • Texto completo

      págs. 73-94

      

    • Street art and graffiti in former communist Albania from 2010 to 2022

      Ilir Hivzi Muharremi, Albana Krasniqi

      • Resumen
      • Texto completo

      págs. 95-102

      

    • Making a Match before Tinder: Popular graffiti in Torrenueva (Ciudad Real, Spain)

      Isabel Carrasco

      • Resumen
      • Texto completo

      págs. 103-111

      

    • Spatial Video Projection as a Digital DIY Paradigm for Under-valued Public Open Spaces Revitalization

      Lima Najjar, Fatma Aycim Turer Baskaya

      • Resumen
      • Texto completo

      págs. 112-119

      

    • Banksy in commercial communication: Street Art and appropriationism

      Matías López Iglesias, Lara Martín Ortega, Santiago Bellido Blanco

      • Resumen
      • Texto completo

      págs. 120-131

      

    • The Role of Street Art in Sustainable Development: Art and Social Change

      Susan Hansen

      • Resumen
      • Texto completo

      págs. 132-143

      

    • Drawing the Line: A Legal Geography of Street Art in the London Borough of Tower Hamlets

      Tom Ward

      • Resumen
      • Texto completo

      págs. 144-155

      

    • The ex post analysis and perspectives of an Urban Creativity program between artistic requalification and social regeneration

      Silvia Scardapane, Monica Mongelli

      • Resumen
      • Texto completo

      págs. 156-167