SEDERI: yearbook of the Spanish and Portuguese Society for English Renaissance Studies
Año 1994, Número 4. Texto Completo Ejemplar
págs. 5-10
págs. 11-21
In and out of the bird-cage: the language of confinement in "The Duchess of Malfi"
págs. 23-30
Relativization and register: a seventeenth century survey
págs. 31-40
«I am not I, pitie the tale of me»: reading and writing (in) "Astrophil and Stella"
págs. 41-62
págs. 63-68
págs. 69-75
págs. 77-86
págs. 87-102
Tragedy and shared-guilt: a comparative approach to "Othello" and "El pintor de su deshonra"
págs. 103-110
págs. 111-119
Renaissance visions of Paradise: ancient religious sources of Thomas More’s "The best state of a commonwealth and the new island of Utopia"
págs. 121-132
More’s "Utopia” or utopia’s "Utopia"?: how to handle textual and generic doubling
págs. 133-142
Cony catchers and cazadores de gatos: an examination of the lexis related to thieves and swindlers in England and Spain in the 16th and 17th centuries
págs. 143-153
págs. 155-164
págs. 165-172
págs. 173-179
"The book of common prayer": its making and language
págs. 181-190
págs. 191-202
Tamburlaine, the Scourge of God: Mexia, Marlowe and Vélez de Guevara
págs. 203-215
The romance in Shakespeare: "Romeo and Juliet" and "The Tempest"
págs. 217-228
págs. 229-236
págs. 237-242
págs. 243-250
Remarks on the chronology of transition: Renaissance-Mannerism-Baroque
págs. 251-271
págs. 273-279
págs. 281-305
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