págs. 89-106
The many lives of Mireia: Maria-Antònia Salvà’s translation of Frederic Mistral’s Mirèio
págs. 107-126
Visión de Anáhuac (1519) as virtual image: Alfonso Reyes’s Bergsonian aesthetic of creative evolution
págs. 127-146
Screening history: television, memory, and the nostalgia of national community in Cuéntame and Temps de silenci
págs. 147-164




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