págs. 25-41
Eco-Cosmopolitan Strangers: Migration, Toxicity and Vulnerability in the US-Mexico Border Through a Revision of Lucha Corpi’s Cactus Blood
págs. 43-59
Immersion Through Culture: Representations of the “Day of the Dead” in Film
págs. 61-78
Oedipus-Inspired Pintos: The Plague of Prisons in Two Chicano Takes on the Prototypical Myth of Crisis
págs. 79-95
Beyond the Margins: Human Rights Against Undocumented Persons, Homosexuals, And Women in Inter-American Narrative
págs. 97-112
págs. 113-131
Towards a Geography of trauma: From El plan spiritual de Aztlán to the Birth of Chicana Spìritual Feminism
págs. 133-152
Hermeneutic Distanciations in Postmodern Chicanx Literature: Utopian and Dystopian Horizons in Ana Castillo’s So Far from God (1993) & Salvador Plascencia’s The People of Paper (2005)
págs. 153-168
Queer Aztlán in Cherríe Moraga’s The Hungry Woman: A Mexican Medea
págs. 169-179
The Coatlicue’s State in The Mixquiahuala Letters: A Postmodern Interpretation on How to Reach the Mestiza Consciousness
págs. 181-192
Helen Hunt Jackson’s Ramona: The Romance that Became a Tourist Guide and Silenced the Mestiza
págs. 193-215
págs. 219-230
págs. 231-240
págs. 241-251
La Madre Tierra que nos mantiene y cuida: An Ecofeminist Reading of Sandra Cisneros’s “Eyes of Zapata”
págs. 253-261
págs. 303-319
págs. 321-334




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