págs. 3-7
Now I am Become Death”: Japanese and Canadian Industrial Contamination in Michiko Ishimure’s Paradise in the Sea of Sorrow: Our Minamata Disease and Thomas King’s The Back of the Turtle
págs. 9-14
págs. 15-24
págs. 25-35
Controlled Bodies, Mental Wounds: Vulnerability in Mariko and Jillian Tamaki’s Skim
págs. 37-49
“The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing
págs. 51-60
Apocalypses Now: Two Modes of Vulnerability in Last Night and The Mist
págs. 61-70
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