From Africa to America: Precarious Belongings in NoViolet Bulawayo’s "We Need New Names"
págs. 11-25
Appropriated Bodies: Trauma, Biopower and the Posthuman in Octavia Butler’s “Bloodchild” and James Tiptree, Jr.’s “The Girl Who Was Plugged In”
págs. 27-44
págs. 45-62
“Partly American!”: Sarah Bernhardt’s Transnational Disability in the American Press (1915-1918)
págs. 63-80
Writing the Self: Philip Freneau’s Homeostatic Poetic Production
págs. 81-100
Filming Metatheatre in Gregory Doran’s "Macbeth": Refracting Theatrical Crises at the Turn of the Century
págs. 101-121
The Alien as a Vehicle for Cosmopolitan Discourses: The Case of "The Day the Earth Stood Still"
págs. 123-144
págs. 145-167
págs. 169-195
EFL Grapho-Phonemics: The “Teachability” of Stressed Vowel Pronunciation Rules
págs. 197-218
© 2001-2024 Fundación Dialnet · Todos los derechos reservados