págs. 7-18
"The Sweet Smoke of Rhetoric": some observations on Shakespeare's Theory of Language
págs. 19-23
págs. 25-33
The use of periphrastic "do" in Early Modern English negative declaratives: evidence from the Helsinki Corpus
págs. 35-43
Rhetorical tradition and the argument of separation: Milton's The Doctrine and Discipline of Divorce
págs. 47-54
"The Rest is Silence": absent voices in John Donne's "Songs and Sonnets"
págs. 55-59
págs. 61-64
págs. 65-74
págs. 75-81
Social Function of the Renaissance Concept of Honour: an Introduction
págs. 83-87
págs. 89-91
The Expression of Fear: William Cecils' "The Execution of Justice"
págs. 93-97
Who Speaks for Justice?: Renaissance Legal Development and the Literary Voices of Women
págs. 101-119
If it be naught: Margaret Cavendish and the Performance of Trascendence
págs. 121-128
Pretty Contradictions: the Virgin Prostitutes of Aphra Behn's "The Feigned Courtesans" 1679
págs. 129-133
págs. 135-140
Transgression and After: fathers and daughters in Susanna Centlivre's "The Busybody"
págs. 141-145
págs. 149-162
págs. 163-170
At the damsels' feet: translation and decorum in a nineteenth-century "Hamlet"
págs. 171-176
Rosalind in Jeans: Christine Edzard's Film Version of "As You Like It"
págs. 177-181
A Speechless Dialect: gender and Self-Recognition in "Measure for Measure"
págs. 183-190
Silence is the perfectest herald of joy: The Claudio Hero Plot in Kenneth Branagh's "Much Ado About Nothing"
págs. 191-195
Shakespeare in Spanish Translations: recent findings about the "Nacente Collection"
págs. 197-201
págs. 203-211
págs. 213-230
págs. 231-235
Crime, Revenge and Horror: Peter Greenaway's "The Cook, The Thief, His Wife and Her Lover" as a Jacobean Revenge Tragedy
págs. 237-241
págs. 243-250
págs. 251-254
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