págs. 1-9
The self and the magic power within: the influence of D.H. Lawrence's short stories on Romanian Post-modernism
págs. 10-19
págs. 20-31
The duplicity of the city in O. Henry: "The defeat of the city" and "Squaring the circle"
págs. 32-42
"All serious daring starts from within": crossing inner and regional boundaries in Eudora Welty's "The optimist's daugther"
págs. 43-51
págs. 52-64
págs. 65-74
Nine short stories into a long one: narrative strategies in Robert Altman's "Short cuts" (1993)
págs. 75-85
Kevin Brockmeier's "The ceiling": the real and claustrophobic fantasy of a broken couple
págs. 86-96
Experimenting with the short story: formal challenges and generic ambiguity in the fiction of Michèle Roberts
págs. 97-110
Dialogues across the Atlantic Ocean: Melville's short fiction and Portuguese literature or the silence of the scriveners
págs. 111-122
Homer, the Bible, Fairytales, and pop culture: Postmodernist short fiction and narrative structure
págs. 123-132
págs. 133-141
págs. 142-160
págs. 161-172
págs. 173-182
Unwelcome guests and disparing exoticisms: the other's voice in critical and postcolonial translation
págs. 183-197
Writing and traslating the Puerto Rican short story: Rosario Ferré
págs. 198-214
"The dead body of a little girl is not a painting": reading Katherine Vaz after 9/11
págs. 215-229
págs. 230-240
págs. 241-253
"Votaries of the muse": Thomas Hardy's "An imaginative woman" as a parody of the romantic stereotypes
págs. 254-264
págs. 265-279
págs. 280-290
Where is the battle?: class, race and identity in Daniel Cano's "Somewhere outside Duc Pho"
págs. 291-300
págs. 301-311
"Home sweet home": the mother/daughter dyad in Flannery O'Connor's short fiction
págs. 312-324
The impossible translation: the loss of onomastic expresivity in the English version of Ulibarri's stories
págs. 325-335
págs. 336-343
págs. 344-358
págs. 359-367
Zora Neale Hurston's "Sweat": from oppressive domesticity to subversive domestic violence
págs. 368-377
págs. 378-388
págs. 389-406
págs. 407-417
págs. 418-427
págs. 428-436
págs. 437-450
Merlinda Bobis's "White turtle": crossing to the other side, bridging the gap between different worlds and cultures
págs. 451-467
págs. 468-485
págs. 486-495
págs. 496-509
The door at the end of th line: boundary crossing in Claire Larrière's "New York"
págs. 510-518
"Being matter-of-fact about strange things": the supernatural in A.S. Byatt's "Little black book of stories"
págs. 519-531
págs. 532-543
Learning to write or the short story as apprenticeship: Graham Swift and "Learning to swim"
págs. 544-555
págs. 556-569
The inner space and the building of female identity: the case of Katherine Mansfield's short stories
págs. 570-586
"Like so many paper lanterns around the village square": a chorus of strangers in Robert Olen Butler's "A good scent from a strange mountain"
págs. 587-601
From the "telling" to the "performing": presence of elements of the short story in Ernest Hemingway's "The fifth column"
págs. 602-612
"Johnny Panic and the Bible of dreams": landscape and symbolism in the short stories of Sylvia Plath
págs. 613-624
Writers at the gallery: painting and Postmodernist English short-story telling
págs. 625-635
págs. 636-646
págs. 647-659
págs. 660-673
págs. 674-683
Neither here nor there but everywhere: two case studies in the contemporary Irish short story : Mary Dorcey and Maeve Binchy
págs. 684-694
Brian Moore's short stories: an instance of advancing recurrent autobiographic subject matter
págs. 695-706
Mythological contrasts: a reading of E.M. Forster's short stories "The story of a panic" and "The road from Colonus"
págs. 707-716
págs. 717-726
Coherence in multiple disjunctions: a reading of "Waiting" by Janette Turner Hospital
págs. 727-735
The short stories of James Joyce and Edna O'Brien: echoes of "Dubliners" in "Lantern slides"
págs. 736-746
págs. 747-755
págs. 756-764
Characters looking for their own place: Sandra Cisneros and her idea of a frontier
págs. 765-774
Minimalism to the maximum: short story as the starting point in "Memento"
págs. 775-785
"The daughters of the late colonel": feminine temporality in Katherine Mansfield's short fiction
págs. 786-798
"A am not a sausage machine": Conrad's anxiety and resistance in "The partner"
págs. 799-814
The translator as an agent of intercultural transference and mediation: translating India
págs. 815-828
Mythical realities and real myths in the short story and the visual arts: crossing boundaries of gender, genre, and story-telling. A study of Alice Munro and Mary Pratt; Alistair MacLeod and David Blackwood
págs. 829-840
The Caribbean story teller/writer: asserting popular culture in "Summer lightning", by Oliver Senior
págs. 841-851
págs. 852-867
págs. 868-877
págs. 878-890
págs. 891-903
Exploring kiwiness: I(s)landscapes in "The Loners" and "History for Berliners"
págs. 904-919
The perfect short story: how Edith Wharton's "Roman fever" has crossed the boundaries of time
págs. 920-930
págs. 931-940
págs. 941-950
The encounter of the face: Emmanuel Levinas and Barbara Gowdy's "We so seldom look on love"
págs. 951-960
Reading, riddling and relaying: the legacies of female voices in Tillie Olsen's "Tell me a riddle"
págs. 961-972
Translation studies, postcolonial writing and cultural studies: melting boundaries
págs. 973-988
Towards a corpus-based genre theory of the short story: and experience with Portuguese short stories
págs. 989-1004
Watertime fiction: Danticat's "Children of the sea" and "Nineteen thirty-seven"
págs. 1005-1013
págs. 1014-1027
"Amor de Artur" (1982), by Méndez Ferrín: a short story crosses many boundaries with the help of translation
págs. 1028-1039
Once upon a time... in Alcalá de Henares
Michel Fabre
págs. 10007-10010
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